2020
DOI: 10.1080/0267257x.2020.1839121
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Raising the dead: on brands that go bump in the night

Abstract: Many brands have been obliterated by the 'death of the high street' and many more have had near-death experiences. This paper applies Derrida's 'hauntology' to Hollister, a high-flying fashion brand that fell from grace. Although it remains in the land of the living, selling impossible dreams of So-Cal's beachside lifestyle, Hollister is a ghost of its former self. An interpretive empirical investigation reveals that the brand's hauntology comprises four phantomic components: mortality, anxiety, liminality and… Show more

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Cited by 9 publications
(3 citation statements)
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References 27 publications
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“…Hollister began and continues branding life as an Abercrombie and Fitch subsidiary, not as a local beach store. Hollister has no connection with beaches anywhere other than a brand narrative literally cut from whole cloth (Brown et al , 2021). As noted, the brand’s founding story and, consequently its past are bogus.…”
Section: Theoretical Background To Brand-pastnessmentioning
confidence: 99%
“…Hollister began and continues branding life as an Abercrombie and Fitch subsidiary, not as a local beach store. Hollister has no connection with beaches anywhere other than a brand narrative literally cut from whole cloth (Brown et al , 2021). As noted, the brand’s founding story and, consequently its past are bogus.…”
Section: Theoretical Background To Brand-pastnessmentioning
confidence: 99%
“…It tends to be greatly speculative or even outright fictitious. They might be called dystopian stories (see Bradshaw and Brown, 2018; Brown et al, 2021; Molesworth, 2020), but as they are not ‘predictions’ based on actualities, they remain open-ended rather than conclusive. If anything, for us they may have the potential to mirror our consumer society better through the fantasies they account for.…”
Section: The Tendencies Of Terminal Marketingmentioning
confidence: 99%
“…Marketing scholarship has long reported on consumer culture’s fascination with relics from its own past (Brown, 2007; Cantone et al, 2020). Recent accounts have drawn upon Jacques Derrida’s (2006) hauntology to offer an onto-affective conceptualisation of: the ‘haunted’ status of our late capitalist moment (Ahlberg et al, 2021); the mournful retrospection of its most iconic brands (Brown et al, 2021); and the temporal disjunction of its consumer subjects (Takhar, 2021). These applications of hauntology to marketing scholarship emphasise consumer culture’s collective realisation that its best times are behind it, or as Ahlberg and colleagues suggest, recent market developments are characterised by ‘a half-lost remembering that we no longer participate in the optimisms of the past’, and ‘the happy days of marketing have increasingly evaporated’ (2021: 169).…”
Section: Introductionmentioning
confidence: 99%