2022
DOI: 10.1002/trtr.2128
|View full text |Cite
|
Sign up to set email alerts
|

(Re)Animating Children's Aesthetic Experiences With/Through Literature: Critically Curating Picturebooks as Sociopolitical Art

Abstract: In this column, I evoke a long‐standing call for children's aesthetic experiences with literature and do so by (re)claiming picturebooks as sociopolitical art that demands critical curation and instruction in the classroom.

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1

Citation Types

0
3
0

Year Published

2022
2022
2024
2024

Publication Types

Select...
6

Relationship

0
6

Authors

Journals

citations
Cited by 7 publications
(3 citation statements)
references
References 12 publications
0
3
0
Order By: Relevance
“…Visual depictions of oppression could help children identify oppression in their everyday lives and decode it in history, preparing them to take informed action against oppression here and now. Picturebooks are socio-political artifacts for opening up critical conversations in classrooms (Zapata, 2022). Because children may misinterpret illustrations and texts (Schickedanz and Collins, 2012), teachers' scaffolding and support is critical.…”
Section: Picturebooks As Anti-oppressive Artifactsmentioning
confidence: 99%
“…Visual depictions of oppression could help children identify oppression in their everyday lives and decode it in history, preparing them to take informed action against oppression here and now. Picturebooks are socio-political artifacts for opening up critical conversations in classrooms (Zapata, 2022). Because children may misinterpret illustrations and texts (Schickedanz and Collins, 2012), teachers' scaffolding and support is critical.…”
Section: Picturebooks As Anti-oppressive Artifactsmentioning
confidence: 99%
“…The literature utilized in this study served as a launching pad for the critical discussions that transpired, which opened the space for topics of race, racism, and difference. In addition to researcher and facilitator, I served as a critical curator (Eeds and Peterson, 1991; Zapata, 2022) of Black children’s literature. The children’s books were a platform, a sliding glass door (Bishop, 1990) for the children to explore sociopolitical issues that were grounded in their experiential experiences, weaving together multiple narratives to represent their knowledge, related to and beyond the books.…”
Section: Researcher Identity and Positionalitymentioning
confidence: 99%
“…What is of particular research interest are the ways in which picturebooks communicate cultural and social meanings (Coats, 2017 ) and how these evolve with new means of communication and literacies. The recent turn towards phenomenological (Rowsell, 2014 ), affective (Leander & Ehret, 2019 ), and embodied (Hillesund et al, 2022 ) literacy studies with adult readers have also influenced literary understandings of children’s picturebooks (Papen & Peach, 2021 ; Zapata, 2022 ). The phenomenological turn inspired our thinking around the body-mind connection in children’s literacy.…”
Section: Introductionmentioning
confidence: 99%