2015
DOI: 10.1080/13573322.2015.1061985
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(Re)presenting equestrianhistories—storytelling as a method of inquiry

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Cited by 11 publications
(8 citation statements)
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References 24 publications
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“…The transcribed interviews were read and reread, listened to and relistened to with our eyes, ears, and other senses on queer(ing) acts, moments, and spaces. Informed and inspired by the interview stories, I (the first author) then engendered a storyteller position from which I created three plots, or storylines, that could hold the identified queerings and display a contextual meaning (see Linghede, Larsson, & Redelius, 2015, for a more thorough illustration of the process of transforming interviews into short stories). In the writing of the stories, I juxtaposed quotes from different informants and interweaved these with my imagination and knowledge of the field.…”
Section: Storytelling—to Figure a Queer(ing) Methodologymentioning
confidence: 99%
“…The transcribed interviews were read and reread, listened to and relistened to with our eyes, ears, and other senses on queer(ing) acts, moments, and spaces. Informed and inspired by the interview stories, I (the first author) then engendered a storyteller position from which I created three plots, or storylines, that could hold the identified queerings and display a contextual meaning (see Linghede, Larsson, & Redelius, 2015, for a more thorough illustration of the process of transforming interviews into short stories). In the writing of the stories, I juxtaposed quotes from different informants and interweaved these with my imagination and knowledge of the field.…”
Section: Storytelling—to Figure a Queer(ing) Methodologymentioning
confidence: 99%
“…Arguably, Karin's story is emotional, compelling, complicated, and powerful. Karin and I both believe the story has potential to be heard, felt, and evoke reader engagement; to empower, problematize, create understanding, and encourage change (Linghede et al, 2016;McMahon & Penney, 2011;Owton & Sparkes, 2015). Narrative case study methods bring Karin's story to the fore; giving nuances, contradictions, and complexity space and justice to be represented in depth and detail.…”
Section: Methodology and Ethical Considerationsmentioning
confidence: 99%
“…Multiple representations of stories drawing on Karin's case is thus possible. Although I call it 'Karin's story,' this study represents one story--not 'The story' (Linghede et al, 2016;Smith & Sparkes, 2009).…”
Section: Methodology and Ethical Considerationsmentioning
confidence: 99%
“…The interview transcriptions were read and re-read with my eyes, ears and other senses on human-horse relations and intersectionality. Informed and inspired by the interview stories (as well as my bodily memories of the interview sessions) I then engendered a playwright/storyteller position from which I created two 'scenes', that could hold the identified intra-actions and display a contextual meaning (see Linghede et al, 2015 for a more thorough illustration of the process of transforming interviews into literary pieces). Based on the interview material, I created two dialogues written as an ongoing conversation between me and six characters (Adam, Bobby, Carl, Daniel, Eric and Filip), on a fictive thematic day about boys and equestrian sports.…”
Section: Writing Dialoguesmentioning
confidence: 99%