“…The emphasis on ‘sensibilities’ refers to the ‘enthusiasms, aversions, inclinations, resistances, tolerances, prejudices, susceptibilities, credulities and so on’ of both students and teachers (p. 57). The ‘subtle dance’ analogy (which I have developed elsewhere, with some inspiration from Marielle Macé, as a ‘pas de deux’—see Aldridge, ; Macé, , p. 19) suggests that ‘There is always an interplay , overt or tacit, direct or oblique, in educational practice’ (Hogan, , p. 58). Hogan's shift away from courtship results from ‘an emphasis that needs to be placed’ on the fact that ‘anything erotic must be ruled out from the start’ (p. 57).…”