“…What might the value of such an autonomous cosmos be? Several answers to this question have been suggested (see, e.g., Wessling and Rasmussen , 293–95; Peacocke , 104–11; Polkinghorne , 69–79; Haught , 78–83, 168–70; Johnson , 154–80; Collins ), but one significantly influential proposal is that a universe that unfolds by way of a delicate synergy between law and chance heightens the beauty of creation. Favored metaphors for God's involvement with a largely autonomous cosmos include the following: a grand composer who “beginning with an arrangement of notes in an apparently simple tune, elaborates and expands it into a fugue” (Peacocke , 72); a “theatrical improviser of unsurpassed ingenuity in live performance, who amplifies and embroiders each theme as it presents itself” (Johnson , 177); or a choreographer who dances, and even plays, with creation in a manner that does not interfere with the universe's given rhythm (Peacocke , 108–11; cf.…”