2006
DOI: 10.1525/can.2006.21.1.3
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Recombinant History: Transnational Practices of Memory and Knowledge Production in Contemporary Vietnam

Abstract: In the early dawn hours of April 30, 2000, I quickly made my way through the streets of Ho Chi Minh City, still commonly known and referred to as Saigon. The city was beginning to stir as street vendors heated large pots of pho broth and residents slowly jogged through the nearly empty streets. I hurried past the neighborhood park, already filled with badminton players, on my way to the official commemoration about to take place at the Reunification Palace, formerly the Presidential Palace during the Saigon re… Show more

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Cited by 136 publications
(54 citation statements)
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“…This potpourri of activities evidences the paradox of being an overpoliticised institution which is asked however to sustain itself through commercial activities, reminding us that the marketing dimension of museology should not be ignored. The terrain of memory making is becoming increasingly transnational, meant for tourists and infused with capitalist values, which often generates tensions between remembrance and forgetfulness (Martínez 2017c;Schwenkel 2006). ENM might have been created in the sunset of romantic nationalism, but it has to survive financially in a context of neoliberal ideology and austerity policies.…”
Section: And Who Is Dzhokhar Dudayev?mentioning
confidence: 99%
“…This potpourri of activities evidences the paradox of being an overpoliticised institution which is asked however to sustain itself through commercial activities, reminding us that the marketing dimension of museology should not be ignored. The terrain of memory making is becoming increasingly transnational, meant for tourists and infused with capitalist values, which often generates tensions between remembrance and forgetfulness (Martínez 2017c;Schwenkel 2006). ENM might have been created in the sunset of romantic nationalism, but it has to survive financially in a context of neoliberal ideology and austerity policies.…”
Section: And Who Is Dzhokhar Dudayev?mentioning
confidence: 99%
“…When dark sites become branded, death, tragedy, trauma and pain become part of the brand image, as reflected in tourism to Auschwitz in Poland (Cole, 2000) and war tourism in Vietnam (Schwenkel, 2006). Tragic narratives of death and suffering become a discourse embedded in the tourism framework of the place (Miles, 2002).…”
Section: War-related Heritage and Dark Tourismmentioning
confidence: 99%
“…In Vietnam, the symbols of war are preserved or reproduced, and reused for "national prosperity and development." Tourists to Vietnam experience not only Vietnam's "genuine tradition" and "romantic colonial heritage" but also the memory and history of the war as a reproduced "past without pain" (Kennedy and Williams 2001;Schwenkel 2006). Although foreign visitors to Vietnam are not all war tourists, they cannot easily avoid the scenes where the war is turned into images and commodities.…”
Section: Korean Veterans In Ho Chi Minh City and Battlefield Tripsmentioning
confidence: 99%
“…In the United States, the Vietnam War has long become commercialized and consumed (Rowe and Berg 1991;Alneng 2002;Schwenkel 2006). After the U.S restored diplomatic relationships with Vietnam two decades after the war, American veterans began to actively travel to the former battlefields.…”
Section: Korean Veterans In Ho Chi Minh City and Battlefield Tripsmentioning
confidence: 99%