Recursive self-embedded vocal motifs in wild orangutans

Abstract

Recursive procedures that allow placing a vocal signal inside another of similar kind provide a neuro-computational blueprint for syntax and phonology in spoken language and human song. There are, however, no known vocal patterns among nonhuman primates arranged in self-embedded combinations that evince vocal recursion or potential insipient forms and neuro-procedures thereof, suggesting a neuro-cognitive transformation exclusive to humans. Here, we uncover that wild flanged male orangutan long calls show two hierarchical strata, wherein rhythmically isochronous call sequences are nested within self-similar isochronous call sequences. Remarkably, three unrelated recursive motifs occurred simultaneously in long calls, refuting that motifs resulted from three parallel linear procedures or that motifs were simple anatomical artifacts of bodily constrains. Findings represent a case of recursive hominid vocal production in the absence syntax, semantincs, phonology or music. Second-order combinatorics, 'sequences within sequences', involving hierarchically organized and cyclically structured vocal sounds in ancient hominids may have preluded the evolution of recursion in modern language-able humans.

Rhythmic categories across primate vocal displays

“…Lar gibbons (Hylobates lar) studied in Thailand showed a single prominent rhythmic category corresponding to 1:1 (isochrony) [14]. The study of orangutans showed how these apes exhibited nested degrees of isochrony during their long calls [15].…”