2002
DOI: 10.1002/jtr.390
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Rediscovering the imagination: investigating active and passive visitor experience in the 21st century

Abstract: The experiential nature of visits to cultural and heritage attractions is theorised. Contemporary discourses posit the emergence of a thoughtful consumer and a paradoxical dumbing-down of culture. The discursive links between active consumption and thought/learning, and of passive consumption with dumbness/fun, are argued to be fallacious; the meanings of active and passive are in need of re-evaluation. Dumbing-down is suggested to be a discursive term for the lowering of the threshold of engagement by cultura… Show more

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Cited by 28 publications
(23 citation statements)
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“…18 In the case of the Sidmouth festival, these were a sense of supporting the continuation of the traditions of the festival and the music, and a concern for how these appeared to outsiders. Examples from retail might be the supporting of the local community or shopping in an ethical or responsible way, or setting the right example to the children.…”
Section: Physicalmentioning
confidence: 99%
“…18 In the case of the Sidmouth festival, these were a sense of supporting the continuation of the traditions of the festival and the music, and a concern for how these appeared to outsiders. Examples from retail might be the supporting of the local community or shopping in an ethical or responsible way, or setting the right example to the children.…”
Section: Physicalmentioning
confidence: 99%
“…These include the desire for more time, the need for better information, and the desire for more detailed descriptions of each of the zones. As Voase (2002) suggests, the emergence of 'thoughtful' consumers with an 'augmented ability to reflect, and increased readiness to engage' will create demands for information that enables visitors to interact meaningfully with attractions and their component parts. For many visitors passive engagement is no longer acceptable or desirable.…”
Section: Discussionmentioning
confidence: 97%
“…For example, many luxury brands are considered a status symbol (Phau & Prendergast, 1998). Symbol value of a brand is mainly for shaping, developing and delivering consumer self-concept (Kleine, Kleine, Kernan, 1993;Belk, 1995;Fournier, 1998;Fischer, 2000;Hogg, Cox, Keeling, 2000;Voase, 2002;Schau & Russell,2005). Since self-concept is so abstract, there arises a need to express self in concrete ways.…”
Section: Introductionmentioning
confidence: 99%