2006
DOI: 10.1177/0309132506070177
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Regions and place: music, identity and place

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Cited by 127 publications
(74 citation statements)
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“…Germaine feels that these sentiments bind community together and connect all people to their rural place. Hudson (2006) remarks:…”
Section: Music Educator As Community Liaison and Community Buildermentioning
confidence: 99%
“…Germaine feels that these sentiments bind community together and connect all people to their rural place. Hudson (2006) remarks:…”
Section: Music Educator As Community Liaison and Community Buildermentioning
confidence: 99%
“…This has already been explored as far as the 'retail' space, the elevator, the pains of in-store piped music and sonic branding of place (see Schroeder and Borgerson, 2002;Borgerson and Schroeder, 2003;Fulberg, 2003;Lanza, 2004;Bradshaw and Holbrook, 2008). Research on sonic branding of specific places and spaces could be of large interest because it can provide rich material concerning what a place means to consumers in relation to the music that brands it, as well as concerning how place branding can be implemented by way of sound (Schroeder and Borgerson, 1999;Hudson, 2006). Further, the way that music can evoke a feeling of the 'past' which might enhance the brand experience for cultural reasons (Wu et al, 2013) is underdeveloped in the existing literature -there is much left to explore about the connection between music, the brand and a general sense of the past -a cultural nostalgia.…”
Section: Sonic Branding: Function In Consumers' Livesmentioning
confidence: 99%
“…Many music styles are established in very unique spatial, temporal and social settings that highly influence expression, style, content and message of the music (HALLAM et al 2008, HUDSON 2006, KRIMS 2012. Place and associated activities also often claim a special music style.…”
Section: Music Associations To Identify Moods and Feelings Associatedmentioning
confidence: 99%