Abstract:This article examines the intersection between Sikh scripture as text and as 'Living Guru' (Bani Guru) enlivened through the performative practice of Gurbani Kirtan (singing devotional 'Gurbani' hymns enshrined in Sikh scripture). It ethnographically explores how practitioners negotiate between the diverse lived practices and orthopraxic conventions surrounding the physical and intangible forms of the Guru as Bani (Gurbani). Today, Gurbani Kirtan is sung and played in diverse musical styles, locations, and con… Show more
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