1994
DOI: 10.1353/ecf.1994.0044
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Representing Reality: Strategies of Realism in the Early English Novel

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“…It need not be just a given author or a given genre; for other cultural contexts other parameters may more relevantly apply. Clinton Bond (1994) discusses realism in the early English novel, with the intent 'to discover what the unspoken and elusive claims of realistic ctions were ' (p. 122). 'The novel's claim to be real, even-perhaps, particularly-while recognised as ction, lies at the very heart of the genre, and should be seen less as a bizarre attempt to pass ction as true than as a characteristic strategy built on the assertion that novels occupy exactly the same world-ideological and concrete-as their readers' (p. 123).…”
Section: 'Not Likely' Yet 'True'mentioning
confidence: 99%
“…It need not be just a given author or a given genre; for other cultural contexts other parameters may more relevantly apply. Clinton Bond (1994) discusses realism in the early English novel, with the intent 'to discover what the unspoken and elusive claims of realistic ctions were ' (p. 122). 'The novel's claim to be real, even-perhaps, particularly-while recognised as ction, lies at the very heart of the genre, and should be seen less as a bizarre attempt to pass ction as true than as a characteristic strategy built on the assertion that novels occupy exactly the same world-ideological and concrete-as their readers' (p. 123).…”
Section: 'Not Likely' Yet 'True'mentioning
confidence: 99%