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This special issue of the International Journal of Digital Humanities (IJDH) focuses on reproducibility and explainability in the Digital Humanities (DH) context, and examines developments and disciplinary efforts to implement, integrate, and recognize reproducibility and explainability as DH research areas and practices (International Journal of Digital Humanities, 2023a, b).The wide disciplinary range of the contributions to this issue points to the relevance of these two deeply interconnected topics for the development of DH as a multidisplinary endeavor that includes significant methodological reflection. The issue features articles conceived from the perspective of Computational Linguistics and Literary Studies, Art History, the History of Science, Sociology, Political Science, and Information Science. At the same time, the articles' data, corpora, and research methods represent the full spectrum of DH research. Data range from corpora of literary novels, historical newspapers, research articles, political processes, and databases of literary awards, to visual sources from art history and the history of science and structured data from research and institutional documentation. Methods include digital editing and publishing, research code and data management, digital archival work, topic modeling, sentiment and network analysis, linked data, knowledge graphs, species models, as well as techniques from explainable artificial intelligence, computer vision, and visual analytics.This special issue was first conceived in the wake of the controversy around Nan Z. Da's article, "The Computational Case against Computational Literary Studies" in a 2019 issue of Critical Inquiry (Da, 2019a, b). While many contributions to the B Thorsten Ries
This special issue of the International Journal of Digital Humanities (IJDH) focuses on reproducibility and explainability in the Digital Humanities (DH) context, and examines developments and disciplinary efforts to implement, integrate, and recognize reproducibility and explainability as DH research areas and practices (International Journal of Digital Humanities, 2023a, b).The wide disciplinary range of the contributions to this issue points to the relevance of these two deeply interconnected topics for the development of DH as a multidisplinary endeavor that includes significant methodological reflection. The issue features articles conceived from the perspective of Computational Linguistics and Literary Studies, Art History, the History of Science, Sociology, Political Science, and Information Science. At the same time, the articles' data, corpora, and research methods represent the full spectrum of DH research. Data range from corpora of literary novels, historical newspapers, research articles, political processes, and databases of literary awards, to visual sources from art history and the history of science and structured data from research and institutional documentation. Methods include digital editing and publishing, research code and data management, digital archival work, topic modeling, sentiment and network analysis, linked data, knowledge graphs, species models, as well as techniques from explainable artificial intelligence, computer vision, and visual analytics.This special issue was first conceived in the wake of the controversy around Nan Z. Da's article, "The Computational Case against Computational Literary Studies" in a 2019 issue of Critical Inquiry (Da, 2019a, b). While many contributions to the B Thorsten Ries
This chapter attempts to model a digital representation of all the intertextual references alluded to in T.S. Eliot’s The Waste Land. It encompasses the references Eliot incorporated into this masterpiece, from Classical and Biblical texts to his contemporary literary texts, followed by an inventory of post-Waste Land texts which borrowed from the text in question. This work produced by Eliot throws any reader or scholar into a labyrinth of intertextuality and literary allusions, the sheer magnitude of which can potentially confuse as the range of the references reaches far and wide. There is a scholarly dispute about the changing paradigm of critical research works under the veneer of digital technology, as many are apprehensive about losing epistemological and ontological aspects of critical research work in the field of humanities under the sustained pressure of employing a digital medium.1 But, having the benefit of an archival digital repository and its capability to quickly access multiple texts from various resources corroborates the view that technology can facilitate the creation and dissemination of knowledge in the field of humanities. The main objective of this research is to create a repository where all the intertextual references of Eliot’s poem The Waste Land could be stored. This chapter will employ three different steps to demonstrate different sources of references and allusions that were used in the production of The Waste Land.
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