2008
DOI: 10.1080/15295030802468073
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Rereading Fandom: MySpace Character Personas and Narrative Identification

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Cited by 36 publications
(27 citation statements)
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“…In following these ideas there is a need to move beyond Goffman in order to explicate the way our experience is based on an entangled and intertwined set of selves. This encourages a focus on complexity and fluidity of the shared social reality that is present in any MySpace interaction (see also Booth, 2008). investigations as a way of evidencing a particular culture or phenomenon (Knoblach et al, 2008;Pink, 2007Pink, , 2008.…”
Section: Profile Changing and The Online Selfmentioning
confidence: 99%
“…In following these ideas there is a need to move beyond Goffman in order to explicate the way our experience is based on an entangled and intertwined set of selves. This encourages a focus on complexity and fluidity of the shared social reality that is present in any MySpace interaction (see also Booth, 2008). investigations as a way of evidencing a particular culture or phenomenon (Knoblach et al, 2008;Pink, 2007Pink, , 2008.…”
Section: Profile Changing and The Online Selfmentioning
confidence: 99%
“…Hills (2005) considera a natureza cíclica dos fãs, sendo que fãs-consumidores movem-se de um objeto de admiração para outro. Paul Booth (2008) personalidades da mídia, argumentando que a transformação midiática engendra mudanças fundamentais na formação da identidade e, portanto, exige mudança no estudo das audiências (veja também Grodin;Lindlof, 1996;Sandvoss, 2005a). Além disso, questões mais abrangentes do processo de se tornar um fã em si têm sido estudadas, incluindo a trajetória histórica de fãs de soap operas nos EUA desde o início dos anos 1900 (Ford, 2008), o surgimento e manutenção da comunidade de fãs pela internet (Baym, 2000), a explosão da fan fiction on--line (Hellekson;Busse, 2006), a integração dos fãs na grande mídia no fim do século XX e no século XXI (Gray et al, 2007).…”
Section: Estudos Sobre Fãs E Teoria Da Trajetória De Vidaunclassified
“…Studies that look at characterrole play accounts in social media provide one example Hickman, 2013a, 2013b;Booth, 2008). In Bore and Hickman's (2013a) study of fan tweeting as characters, for instance, the authors note how: "Our analysis of the Twitter data and the interview data provided us with two different sets of voices; the constructed Twitter voices of the characters and the e-mail voices of the fans behind the Twitter accounts.…”
Section: Fansmentioning
confidence: 99%