“…There are many possibilities here, but among these I suggest the potential of the circuit of culture model remains untapped. As originally set out by Johnson (), Hall (), du Gay, Hall, Janes, and Mackay () (see also Champ, ), this cyclic and transactional model recognizes that audiences are vital to completing the “circuit of culture” in which production, text, institution, representation, governance, interpretation, and identity all find their place, for all these elements are mutually articulated in the mediation of culture (Mayer, ). As Richard Johnson put it, in these multisited struggles for the power to shape the forms and flows of meanings in society, each moment is shaped by particular social practices and contexts, and at the same time, “each moment [in the circuit] depends upon the others and is indispensable to the whole” (, p. 284).…”