2011
DOI: 10.1016/j.heares.2011.01.003
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Resolvability of components in complex tones and implications for theories of pitch perception

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Cited by 72 publications
(60 citation statements)
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“…This finding is consistent with models of pitch that depend on the frequencies of individual components that are "resolved" by the peripheral auditory system, being extracted and somehow combined by more central processes (Terhardt, 1972a,b;Goldstein, 1973). A different suggestion is that the effect of harmonic number may arise from a more central process whereby the processing of temporal cues at the output of a given auditory filter depends in some way on its center frequency, "CF" (Moore, 1982;de Cheveign e and Pressnitzer, 2006;Moore and Gockel, 2011). An early example of a theory that proposed the importance of such a "place-rate match" was described by Moore (1982), who suggested that the analysis of inter-spike intervals produced by a given auditory nerve (AN) fiber was limited to intervals between about 0.5/CF and about 15/CF.…”
Section: Introductionmentioning
confidence: 99%
“…This finding is consistent with models of pitch that depend on the frequencies of individual components that are "resolved" by the peripheral auditory system, being extracted and somehow combined by more central processes (Terhardt, 1972a,b;Goldstein, 1973). A different suggestion is that the effect of harmonic number may arise from a more central process whereby the processing of temporal cues at the output of a given auditory filter depends in some way on its center frequency, "CF" (Moore, 1982;de Cheveign e and Pressnitzer, 2006;Moore and Gockel, 2011). An early example of a theory that proposed the importance of such a "place-rate match" was described by Moore (1982), who suggested that the analysis of inter-spike intervals produced by a given auditory nerve (AN) fiber was limited to intervals between about 0.5/CF and about 15/CF.…”
Section: Introductionmentioning
confidence: 99%
“…Generally, the dominant region has been found to correspond to harmonics with low numbers, with ranks between 3 and 5 (Plomp, 1967;Ritsma, 1967), which are generally believed to be resolved in the peripheral auditory system (Plomp, 1964;Plomp and Mimpen, 1968;Moore and Gockel, 2011). However, it has been suggested that the dominant region is not fixed in terms of harmonic number, but corresponds to a fixed frequency region around 500 to 800 Hz (Terhardt et al, 1982;Dai, 2000).…”
Section: Introductionmentioning
confidence: 99%
“…While the resolving power of the normal auditory system is still in debate, it is usually accepted that harmonics with numbers above eight are poorly, if at all, resolved (see Moore and Gockel, 2011 for a review). However, in the present study, and for speech recognition in noise in general, the notion of spectrally resolved harmonics is not directly relevant.…”
Section: B Contribution Of Resolved Harmonics To the Benefit From DCmentioning
confidence: 99%