2018
DOI: 10.1111/1467-9752.12330
|View full text |Cite
|
Sign up to set email alerts
|

Resonance, Response, Renewal: Literary Education in Rorty and Cavell

Abstract: For Richard Rorty as well as Stanley Cavell, the realm of the literary carries particular educational force. Literature holds the potential to lead the insensitive and the superficial towards the responsive and the detailed. Literature prompts an interrogation of everyday expressions and the felt meanings we decide to invest or not to invest within them. In this paper, we draw on the work of Rorty and Cavell to highlight the significance of literature for moral education. We argue that both philosophers are co… Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
2
1
1
1

Citation Types

0
4
1

Year Published

2020
2020
2024
2024

Publication Types

Select...
5
1

Relationship

0
6

Authors

Journals

citations
Cited by 6 publications
(5 citation statements)
references
References 5 publications
0
4
1
Order By: Relevance
“…Despite such seemingly positive outcomes, however, our findings do not provide a ringing endorsement for those who suggest, as Mahon and O'Brien (2018), citing Richard Rorty, put it: 'moral judgements would be made with the help of proper names rather than general principles' (p. 699) -that '[l]iterature holds the potential to lead the insensitive and the superficial towards the responsive and the detailed' (p. 695). As we explored our findings, we were confronted by an increasingly awkward question: would the quality or content of our students' engagement with moral issues in Lord of the Flies have been any different if they had not been required to read the novel at all, but had simply been given a brief plot summary to work from?…”
Section: Discussioncontrasting
confidence: 79%
“…Despite such seemingly positive outcomes, however, our findings do not provide a ringing endorsement for those who suggest, as Mahon and O'Brien (2018), citing Richard Rorty, put it: 'moral judgements would be made with the help of proper names rather than general principles' (p. 699) -that '[l]iterature holds the potential to lead the insensitive and the superficial towards the responsive and the detailed' (p. 695). As we explored our findings, we were confronted by an increasingly awkward question: would the quality or content of our students' engagement with moral issues in Lord of the Flies have been any different if they had not been required to read the novel at all, but had simply been given a brief plot summary to work from?…”
Section: Discussioncontrasting
confidence: 79%
“…3 literary education towards diversification, the English literary tradition should still be adhered to as the dominant narrative to a certain extent [16]. MAHON, ÁINE et al reiterated the important role of literature in moral education from the perspective of the educational power of literature, based on the advocates of the philosophers Rorty and Cavell and the transformation of the tradition of literary education [17]. BELL, M on F. R. Leavis' views on literature and education are critical lines of thought, arguing that his tradition of literary education is more derived from modernism, constructing a space for integrating thought and teaching in literature [18].…”
Section: An Exploration Of the Precision Path Of Integrating Artifici...mentioning
confidence: 99%
“…Rorty’s own narrative has irritated many other philosophers because he came to believe that novels and poetry were more effective than philosophy or political theory in shaping the citizens of a liberal democracy: we need “fewer theorists and more novelists” (see Rorty, 1991a, p. 80). 3 He wished that philosophers and scientists, especially, would accept “that there is no final truth or end point of argument, only a plurality of possible truths re-describable more or less attractively.” We should be “concerned not with facts but with interpretations” (see Mahon & O’Brien, 2018, p. 697). Perhaps novelty is or should be more important than truth because the strong poet is “the maker of new words, the shaper of new languages, the vanguard of the species” (Rorty, 1989, p. 20, as quoted in Mahon & O’Brien, 2018, p. 697).…”
Section: Fragmentary Narratives Of “Truth”mentioning
confidence: 99%
“…3 He wished that philosophers and scientists, especially, would accept “that there is no final truth or end point of argument, only a plurality of possible truths re-describable more or less attractively.” We should be “concerned not with facts but with interpretations” (see Mahon & O’Brien, 2018, p. 697). Perhaps novelty is or should be more important than truth because the strong poet is “the maker of new words, the shaper of new languages, the vanguard of the species” (Rorty, 1989, p. 20, as quoted in Mahon & O’Brien, 2018, p. 697). Our narratives should be properly seen not so much as accurate representations of truth but as new interpretations of it.…”
Section: Fragmentary Narratives Of “Truth”mentioning
confidence: 99%