1987
DOI: 10.1121/1.395643
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Responses of auditory-nerve fibers to multiple-tone complexes

Abstract: To relate level-dependent properties of auditory-nerve-fiber responses to nasal consonant-vowels to the basic frequency selective and suppressive properties of the fibers, multitone complexes, with the amplitude of a single (probe) component incremented, were used as stimuli. Quantitative relations were obtained between the systematic increase of fiber synchrony to the probe tone and the decrease of synchrony to CF, as the amplitude of the probe tone was increased. When such relations are interpreted as a meas… Show more

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Cited by 36 publications
(29 citation statements)
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“…The figure shows that the responses of the two tones decrease with the increasing amplitude of the third (suppressor) tone, especially when the level of the suppressor tone is larger than 60 dB. The figure is qualitatively comparable to Figure 3 in [7] and Figure 4.6 in [38]. Suppressors at 55dB none 8kHz 6+8kHz 4+6+8kHz 2+4+6+8kHz…”
Section: Multitone Interactionssupporting
confidence: 74%
See 1 more Smart Citation
“…The figure shows that the responses of the two tones decrease with the increasing amplitude of the third (suppressor) tone, especially when the level of the suppressor tone is larger than 60 dB. The figure is qualitatively comparable to Figure 3 in [7] and Figure 4.6 in [38]. Suppressors at 55dB none 8kHz 6+8kHz 4+6+8kHz 2+4+6+8kHz…”
Section: Multitone Interactionssupporting
confidence: 74%
“…The number of tones makes little difference in the time domain computation in terms of computational costs. From the results of the two-tone interactions, we can expect the suppressions and distortion products from more than three-tone interactions [7,29,38]. Figure 13 BM displacement at CF=0.5 kHz (nm) illustrates the BM displacement (nm) along the BM length at a fixed time 30 ms and the envelope of the BM response when there are five frequencies in the input stimulus.…”
Section: Multitone Interactionsmentioning
confidence: 99%
“…The asymmetry of high and low side suppression is captured by the model. We then show numerical simulation of three tone interaction, presenting results on how the amplitudes of the two of the three tones change as we vary the amplitude and frequency of the third tone, qualitatively consistent with experimental data of Deng and Geisler [4] on responses of auditory neural fibers to input of three tones.…”
Section: Numerical Results and Multitone Interactionsupporting
confidence: 54%
“…In case of two tone interactions, our model gives both low and high side suppression, in qualitative agreement with similar studies of Geisler [8]. For understanding three tone interactions, we fix the frequencies and amplitudes of two tones, and vary the third tone both in frequency and amplitude in a manner similar to auditory neural experiment of Deng and Geisler [4]. Again, our model showed suppressing effect on the two tones by the third tone, in qualitative agreement with experimental data.…”
Section: Introductionsupporting
confidence: 71%
“…Specifically, it was found that the ability of his cross-channel correlation algorithm to identify spectral dominances was best when the basilar membrane model incorporated a nonlinear level-dependent damping component. This simulated the tendency of auditory nerve tuning curves to broaden at high intensities (see section 4.1.5), and was necessary to reproduce the synchrony capture phenomenon observed in physiological studies (Sinex and Geisler [251], Shamma [244], Deng and Geisler [73], Deng et al [74]). Synchrony capture occurs when a high intensity component produces more response synchrony to itself than is predicted by linear models of auditory nerve tuning curves.…”
Section: Summary and Discussionmentioning
confidence: 99%