2010
DOI: 10.1080/19376521003719409
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Reviewing Net-only College Radio: A Case Study of Brooklyn College Radio

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Cited by 17 publications
(18 citation statements)
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“…The stories of most Internet radio startups have not been told in the academic, trade, or popular press, and, of the ones that have been documented, most are noncommercial in nature, such as college Internet stations that sprang up when terrestrial signals were not available (Baker, 2010) or live streams launched by hobbyists (Hokstra, 2014). In contrast, the subjects featured here used their professional broadcasting instincts to craft targeted, for profit, localized Internet stations meant to fill vacuous gaps in local services left by the terrestrial broadcasters in their respective markets.…”
Section: Discussionmentioning
confidence: 97%
“…The stories of most Internet radio startups have not been told in the academic, trade, or popular press, and, of the ones that have been documented, most are noncommercial in nature, such as college Internet stations that sprang up when terrestrial signals were not available (Baker, 2010) or live streams launched by hobbyists (Hokstra, 2014). In contrast, the subjects featured here used their professional broadcasting instincts to craft targeted, for profit, localized Internet stations meant to fill vacuous gaps in local services left by the terrestrial broadcasters in their respective markets.…”
Section: Discussionmentioning
confidence: 97%
“…La mayoría de estos proyectos decidió emitir solo en Internet, -ser, por lo tanto, webradio (Priestman, 2002;Bonini, 2006) o net-only radio (Baker, 2010)-, debido a las dificultades para obtener licencias de FM en el sistema regulador italiano: las licencias de FM no se otorgan para radios universitarias. En Italia no existen Restricted Service Licences 11 , como en el Reino Unido, que son licencias temporales concedidas por la autoridad de radio para operar sobre una base de baja potencia para un área geográfica limitada.…”
Section: Radio Universitaria Italiana: La Historiaunclassified
“…Nessa programação, tipo mosaico, tem lugar todo o tipo de géneros e temas, sempre em função dos três objectivos que Catón (apud Sauls, 1998) sublinha para uma rádio universitária: entreter, informar e educar. No entanto, apesar desta oferta diversificada, a "Contemporary Hit Radio" continua a ser a forma mais explorada (Perona Páez, 2009) e, portanto, aquela em que se focou uma grande parte dos estudos desenvolvidos em torno da programação destas emissoras universitárias (Rothenbuhler, 1987;Sauls, 1998Sauls, e 2000Wall, 2007;McClung & Diesztich, 2007;Waits, 2008;Baker, 2010; entre outros).…”
Section: As Rádios Universitáriasunclassified
“…De facto, tal como assinalam Rose e Lenski (2007) ou Baker (2010), os estudantes universitários configuram-se como os principais ouvintes/ utilizadores da rádio na Internet, bem como dos diferentes serviços que esta veicula.…”
Section: Web-rádios Universitárias: Uma Aproximação Ao Estado Da Arteunclassified
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