“…The local ceramics are elaborate, well made, and belong to types typical across the Mona passage region (Rouse, 1992). This stands in contrast to ceramics from contemporary colonial‐era sites elsewhere, such as the Criolla pottery made by Indigenous domestic laborers in Casa Blanca in San Juan (Rodríguez López et al., 2022; and elsewhere Deagan and Cruxent, 1993, 76; García Arévalo, 1991; Ortega and Fondeur, 1978; Shea and Woodward, 2019; Valcárcel Rojas, 2016, 348–53). The Mona ceramics give no indication of change or production under duress, such as loss of traditional decoration, the development of European‐inflected forms, or the presence of non‐Antillean Indigenous pottery, which would provide further indications of a diversity of laborer origins.…”