Abstract:Assamese fiction written by janajatiya writers (writers from indigenous, “tribal” communities) can be read productively via a deployment of various standpoints from the “nonhuman turn.” This chapter reads the triangulation of three nonhuman entities—bamboo, rats, and fire—in Arunachali author Yeshe Dorje Thongchi’s short story “Baah Phulor Gundho” (“The Smell of Bamboo Blossoms”). While stories by janajatiya writers such as Thongchi are usually read via “tradition” versus “modernity” and social reform perspect… Show more
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