2002
DOI: 10.1353/elh.2002.0011
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Romance of the Spirit: Female Sexuality and Religious Desire in Early Modern England

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Cited by 7 publications
(1 citation statement)
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“…As Sharon Achinstein has shown, Rowe's rapturous verse is susceptible to the 'double register' that 'haunts all poetry that seeks to represent the relationship between humans and the divine': that is, a 'resemblance between holy ardour and carnal eroticism'. 18 Rowe's poem can certainly be read as suggesting an iconoclastic 'sanctioning of female heterosexual pleasure', and the male writer's playful response highlights such susceptibility. 19 Nevertheless, there is also a strong sense of patriarchal curtailment in the way the male writer responds to Rowe's attempt to assert her poetic agency.…”
Section: Vocation and Voice: Rowe's Early Poemsmentioning
confidence: 99%
“…As Sharon Achinstein has shown, Rowe's rapturous verse is susceptible to the 'double register' that 'haunts all poetry that seeks to represent the relationship between humans and the divine': that is, a 'resemblance between holy ardour and carnal eroticism'. 18 Rowe's poem can certainly be read as suggesting an iconoclastic 'sanctioning of female heterosexual pleasure', and the male writer's playful response highlights such susceptibility. 19 Nevertheless, there is also a strong sense of patriarchal curtailment in the way the male writer responds to Rowe's attempt to assert her poetic agency.…”
Section: Vocation and Voice: Rowe's Early Poemsmentioning
confidence: 99%