Russia's New Anthem and the Negotiation of National Identity

Daughtry, J. Martin

doi:10.2307/852511

Cited by 89 publications

(21 citation statements)

References 27 publications

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“…Search by the person of "new identity" is observed and there is continuous redefinition of self-identity. These aspects also are investigated J. M. Daughtry (2003), I. Z.…”

Section: Review Of Literaturementioning

confidence: 97%

Interrelations of Anticipation of the Semantic Context and Symbolic Self-identification of a Personality

Fedotova

2014

Procedia - Social and Behavioral Sciences

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“…Search by the person of "new identity" is observed and there is continuous redefinition of self-identity. These aspects also are investigated J. M. Daughtry (2003), I. Z.…”

Section: Review Of Literaturementioning

confidence: 97%

Interrelations of Anticipation of the Semantic Context and Symbolic Self-identification of a Personality

Fedotova

2014

Procedia - Social and Behavioral Sciences

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“…Ot Katiushi peredai privet! May he remember the simple maiden, Pust' on vspomnit devushku prostuiu, 10 For a history of Russian national anthems in the twentieth century, see Daughtry (2003). 11 The use of 'folk culture' by the Soviet government to bolster national sentiment beginning in the 1930s adds another layer of complexity to 'Katiusha's' positive reception in the diaspora and points to the salience of the 'folk' trope for narratives of an essential Russian national identity.…”

Section: Mythologising the Homeland In Songmentioning

confidence: 98%

Sounding Diaspora through Music and Play in a Russian-American Summer Camp

Zelensky¹

2014

Ethnomusicology Forum

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Music, ethnicity, youth and social bonding: perhaps nowhere do these elements intersect more powerfully than within the ethnic-American summer camp. Although summer camps have been virtually absent from ethnomusicological inquiry, they present rich sites for interrogating the nuanced negotiations of identity that can occur within a diaspora. Based on fieldwork conducted at a Russian-American summer camp in the Adirondack Mountains (New York, USA), this paper explores how camp music presents a productive sphere for playing out contentious issues of diaspora (including inter-wave tension, hyphenated identity politics and disagreements over the purpose of a longstanding diaspora). Analysing music-making within this community through a theoretical lens of play (igra), this paper presents an original study of Russian émigré music and demonstrates how summer camp music presents a site for mediating competing epistemologies of the Diasporic Self for a diaspora that is facing an ontological juncture.

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“…Daughtry suggests that a national anthem can be regarded ‘not as the static reflection of a monolithic ideology but rather as a polysemous text through which national identity is constantly being negotiated’ (Daughtry : 42). However, Nepal's new anthem represents something more akin to an agreed set of terms on which national reimagining can take place.…”

Section: A Song For the Transitionmentioning

confidence: 99%

Singing the new Nepal

Hütt

2012

Nations and Nationalism

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Nepal's adoption of a new national anthem in 2007 reflected a decision to establish a new social and political order that was republican, federal and inclusive of the country's many minority communities. It came after a ten‐year internal conflict, and was followed by the abolition of the Shah monarchy that had ruled the country since the late eighteenth century. This article describes the historical and political context of the decision to replace the old anthem, the selection of the new anthem, and the debates that arose in the Nepali media and public sphere after its lyrics and the identity of its author were made known. The discussion refers to arguments made by Karen Cerulo about the relationship between the syntactic structure of national anthems and the stage reached in the process of political modernisation of the nation‐state in question, and provides some comparative perspectives on the Nepali case.

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Russia's New Anthem and the Negotiation of National Identity

Cited by 89 publications

References 27 publications

Interrelations of Anticipation of the Semantic Context and Symbolic Self-identification of a Personality

Interrelations of Anticipation of the Semantic Context and Symbolic Self-identification of a Personality

Sounding Diaspora through Music and Play in a Russian-American Summer Camp

Singing the new Nepal

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