100 Cult Films 2011
DOI: 10.1007/978-1-84457-571-8_78
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Salò, or the 120 Days of Sodom

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Cited by 5 publications
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“…A 12-min compilation of ‘Salò, or the 12 Days of Sodom’ (Pasolini, 1975) served as aversive film clip. During fear conditioning, a 3-s film fragment (of a human scream) from the aversive film served as UCS.…”
Section: Methodsmentioning
confidence: 99%
“…A 12-min compilation of ‘Salò, or the 12 Days of Sodom’ (Pasolini, 1975) served as aversive film clip. During fear conditioning, a 3-s film fragment (of a human scream) from the aversive film served as UCS.…”
Section: Methodsmentioning
confidence: 99%
“…To begin, we can here compare Valentine's vomit-eating scenes with various shiteating sequences peppered throughout Sweet Movie (Dušan Makavejev, 1974), Salò (Pier Paolo Pasolini, 1975), The Cook The Thief His Wife and Her Lover (Peter Greenaway, 1989), The Human Centipede trilogy (Tom Six, 2009 and the aforementioned post-cinematic viral 'shock-video' 2 Girls 1 Cup (2007). On arriving at these scatological considerations, we might concede that if at the level of bio-aesthetic affect these disgusting and shocking coprophagic sequences elicit comparable embodied auto-affective reactions as Valentine's images of vomit chugging, my gut feeling remains that a clear schism opens up when we consider the divergent symbolic or representational meanings associated with the appearance and consumption of faeces and vomit.…”
Section: Vomit Gore a Gogomentioning
confidence: 99%