The winds of change sweeping across our globalised world have inspired a wide range of studies, new research paradigms, and new concepts that seek to characterise their nature and effects, the challenges they pose alongside the potential opportunities they hold. One of the new concepts that captures the drift of the times is transmodernism, which emphasises the interconnectedness and fluidity of basic categories such as reality, identity, memory and culture. As the word suggests, transmodernism positions itself in a dynamic interpretive relationship with both modernism and postmodernism. For some transmodern theorists, including Enrique Dussel, Marc Luyckx Ghisi, Irena Ateljevic, Jessica Aliaga-Lavrijsen and José María Yebra-Pertusa, transmodernism is not merely a temporal term but signifies, more importantly, the liberating potential of a new way of being in the world. They argue that transmodernity signals multiple, interconnected global shifts-in consciousness, economics, politics, and human relations-that are characterised by a range of concerns, such as inclusivity, diversity, partnership, sustainability, human rights and ecology. These concerns, they hold, result from the deeper awareness of people of how "mutual interdependency grows" and how "the hierarchies between different cultures [have started to] dismantle." 1 The aim of this Special Issue, as its title indicates, is to examine some of these transmodern concerns in a variety of contemporary literary and artistic works, from several different yet related theoretical feminist perspectives. While the past few decades have been crucial for female empowerment, they have at the same time seen a backlash against feminist achievements. On the one hand, even a brief glance at the official statistics shows that women continue to be the main victims of domestic violence; that together with children they are disproportionately affected by armed conflicts; they lead the ranks of the poor and are especially vulnerable in times of economic recession, enforced migration, and the deleterious effects of climate change in various regions of the world. More recently, new restrictions have been imposed on women's reproductive rights in several western countries, rape culture has spread alongside the pornography industry, and the "angry white men" has emerged as a movement which promotes a demonised image of feminism. 2 Despite these anti-feminist phenomena, feminism has become a constant and growing force for change. A clear example of its strength was seen in the first International Women's Strike on March 8, 2017 (which took place in fifty countries around the world and called for the CONTACT Bárbara Arizti