Providing examples from the islands of the Indian Ocean Region, this article focuses on the multisensory nature of storytelling and listening. Drawing on anthropological fieldwork in the region (1998-2016), the author proposes a sensuous epistemology that turns on listening to "sense". She reveals that storytelling can be a profoundly sensuous experience that elicits emotional and physical responses in both the teller and listener. The sensuous quality of stories enable the listener to fully encounter politically inscribed, complex social experiences. Ultimately, the article advances a notion of listening as sense-work, thereby deepening sensory scholarship's recent, politically reflexive analysis on listening to hear. … having a voice can make up for invisibility. (Hendy, 2013, 200) the "sweetness" of a tale), not just the ears, particularly in the context of face-to-face story-telling, such as we will be exploring here (Bendix 2000). Research in the "ethnography of speaking" has drawn attention to the significance of social context ("traditional, " colonial, postcolonial, etc.), but, on account of its verbocentrism, tended to deflect attention from sensory context. The notion of sense-work is proposed to