Abstract:This article focuses on Julie Paucker and Robert Schuster's ‘MALALAI – Die afghanische Jungfrau von Orléans’ (2017), paying special attention to the constructions and contestations of gender and nation in this recent re‐working of Schiller's Die Jungfrau von Orleans (1801). Paucker radically re‐configures Schiller's play, whose engagement with the concept of nation allowed subsequent interpretations to view it as a nationalist text depicting a symbolic figure for a German nation that did not as yet exist, by c… Show more
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