Scratching the surface: the home and the haptic in Lauren Beukes's<i>Zoo city</i>and elsewhere

In Postcolonial literature, magic realism and science fiction are two sub-genres that have worked diligently to contest realism as a western novelistic tradition. In the South African context, the fantastic initiates a process of psychic liberation from old (White) world narrative domination and its cognitive codes. It recapitulates problems of historical consciousness in (post)apartheid cultures and interrogates inherited notions of imperial history. This paper reads two “fantastic” texts that belong to a similar post-colonial culture—South Africa—and strives to explain the ways in which these texts recapitulate, in both their narrative discourse and their thematic content, the “real” social and historical context in which (post)apartheid South African culture existed and thrived. Zakes Mda’s Ways of Dying and Lauren Beukes’ Zoo City use magic realism and science fiction respectively to re-view and debunk inherited literary modes of colonial discourse and to work towards more authentic yet challenging “codes of recognition”. By so doing, they offer positive and liberating responses to new emerging cultural forms.

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Scratching the surface: the home and the haptic in Lauren Beukes'sZoo cityand elsewhere

Cited by 7 publications

References 14 publications

Hydrocolonial Johannesburg

Hydrocolonial Johannesburg

Queering the Lost Child and the Politics of Failure in Lauren Beukes’s Zoo City

South African Literature and the “Strange Seductiveness” of the Fantastic

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