1987
DOI: 10.1111/j.1467-8365.1987.tb00253.x
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Select Responses to the Antique

Abstract: Renaissance Artists and Antique Sculpture by P. P. Bober and R. O. Rubinstein, Oxford: Harvey Miller and Oxford University Press, 1986, 522 pp., 526 ills, £45

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“…48 Ames-Lewis further develops this point by stating that the bronze statue of the David was probably made to be capable of reinterpretations according to the changing Florentine society in the late Quattrocento. 49 This has proven to be the case especially with the 1494 Medici exile from Florence following the political turmoil between the French King Charles VIII and Piero the Unfortunate. It is therefore important to note that the identity of the patrons, as well as other ideals the artwork represents, can further be highlighted and even completely transformed by the choice of placement of the artwork and by its contextualisation with other works of art.…”
Section: Discussionmentioning
confidence: 99%
“…48 Ames-Lewis further develops this point by stating that the bronze statue of the David was probably made to be capable of reinterpretations according to the changing Florentine society in the late Quattrocento. 49 This has proven to be the case especially with the 1494 Medici exile from Florence following the political turmoil between the French King Charles VIII and Piero the Unfortunate. It is therefore important to note that the identity of the patrons, as well as other ideals the artwork represents, can further be highlighted and even completely transformed by the choice of placement of the artwork and by its contextualisation with other works of art.…”
Section: Discussionmentioning
confidence: 99%