“…Many of these authentic sites have distinct conservational, educational and commemorative meaning, which must engender a degree of empathy between the visitor and the (past) victim (Henderson 2000, Hertzog, 2012Kidron, 2013;Miles, 2002;Robb, 2009). Minić (2012), Seaton & Lennon (2004), Wight & Lennon (2007), Walter (2009), Biran et al (2011, Lee, Bendle, Yoon & Kim (2012), Ozer, Ersoy, and Tuzunkan (2012) and Stone (2012), in this sense, argue that dark tourism is only the culture's subtype and part of heritage or its special form of expression.…”