Self-evidence

Schiphorst, Thecla

doi:10.1145/1979742.1979640

Cited by 104 publications

(17 citation statements)

References 12 publications

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“…As typified by the third wave of HCI [1], there is a move toward designing for the body and embodied experience [16,22,45]. In particular, researchers propose various design approaches to support movement generation and ideation, through designing for kinaesthetic awareness [16], estrangement [5,58], and somaesthetic interactions [22].…”

Section: Related Work Hci and The Moving Bodymentioning

confidence: 99%

Understanding Kinaesthetic Creativity in Dance

Hsueh

Alaoui

Mackay

2019

Proceedings of the 2019 CHI Conference on Human Factors in Computing Systems

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Kinaesthetic creativity refers to the body's ability to generate alternate futures in activities such as role-playing in participatory design workshops. This has relevance not only to the design of methods for inspiring creativity but also to the design of systems that promote engaging experiences via bodily interaction. This paper probes this creative process by studying how dancers interact with technology to generate ideas. We developed a series of parameterized interactive visuals and asked dance practitioners to use them in generating movement materials. From our study, we define a taxonomy that comprises different relationships and movement responses dancers form with the visuals. Against this taxonomy, we describe six types of interaction patterns and demonstrate how dance creativity is driven by the ability to shift between these patterns. We then propose a set of interaction design qualities to support kinaesthetic creativity. CCS CONCEPTS • Human-centered computing → HCI theory, concepts and models;

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Section: Related Work Hci and The Moving Bodymentioning

confidence: 99%

Understanding Kinaesthetic Creativity in Dance

Hsueh

Alaoui

Mackay

2019

Proceedings of the 2019 CHI Conference on Human Factors in Computing Systems

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“…Sara, who is also a trained dancer, decided to experience the different scenes herself. Only then was it possible for her to understand some of Åsa's statements, expressions and movements [6,16,43]. After each session where Åsa and Vincent tried the drones, Sara enacted the same scene and then tried to articulate her bodily experiences as richly as she could in her notes.…”

Section: Data Collectionmentioning

confidence: 99%

Dancing With Drones

Eriksson

Unander-Scharin

Trichon

et al. 2019

Proceedings of the 2019 CHI Conference on Human Factors in Computing Systems

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Movement-based interactions are gaining traction, requiring a better understanding of how such expressions are shaped by designers. Through an analysis of an artistic process aimed to deliver a commissioned opera where custom-built drones are performing on stage alongside human performers, we observed the importance of achieving an intercorporeal understanding to shape body-based emotional expressivity. Our analysis reveals how the choreographer moves herself to: (1) imitate and feel the affordances and expressivity of the drones' 'otherness' through her own bodily experience; (2) communicate to the engineer of the team how she wants to alter the drones' behaviors to be more expressive; (3) enact and interactively alter her choreography. Through months of intense development and creative work, such an intercorporeal understanding was achieved by carefully crafting the drones' behaviors, but also by the choreographer adjusting her own somatics and expressions. The choreography arose as a result of the expressivity they enabled together. CCS CONCEPTS • Human-centered computing → HCI theory, concepts and models; Empirical studies in HCI.

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“…In the domain of movement-based interaction design, research endeavors have been aimed at understanding what it means to have rich bodily experiences (e.g., Höök, 2010;Loke & Khut, 2011;Loke & Robertson, 2011;Mentis et al, 2014;Schiphorst, 2007Schiphorst, , 2011Wilde, Schiphorst, & Klooster, 2011). A considerable body of work has examined the importance of the social context in shaping the interactive experience (e.g., Gajadhar, de Kort, & Ijsselsteijn, 2008;Jakobs, Manstead, & Fischer, 1996;Magerkurth, Engelke, & Memisoglu, 2004;Manstead, 2005;Márquez Segura & Isbister, 2015).…”

Section: Authors' Notementioning

confidence: 99%

“…In HCI, research programs with an arts and performance background have presented diverse techniques for bodily awareness and facilitation of the felt experience so as to inform design in embodied ways. Recognized works in this domain are those of Schiphorst (2007Schiphorst ( , 2009Schiphorst ( , 2011, Wilde (2008), Khut (2007), Loke and Khut (2011), Robertson (2011, 2013) and Larssen, Robertson, and Edwards (2006), among others.…”

Section: Appropriating Bodystorming For Movement-based Interactionmentioning

confidence: 99%

Untitled

2016

Human Technology

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Human Technology is an interdisciplinary, scholarly journal publishing innovative, peer-reviewed articles exploring the issues and challenges within human-technology interaction and the human role in all areas of our ICT-infused societies.Human Technology, published by the Agora Center, University of Jyväskylä, is distributed without a charge online. ISSN: 1795-6889 www.humantechnology.jyu.fi Volume 12(2), November 2016, 103-104 103From the Publisher CHANGE IN HUMAN TECHNOLOGY'S PUBLISHER: CONTINUED FOCUS ON OPEN ACCESS HUMAN-TECHNOLOGY RESEARCHThe Human Technology journal will begin a new chapter in its publishing life on January 1, 2017. On that date, the responsibility for publishing the journal will transfer to the new Open Science Center at the University of Jyväskylä, an organization currently in development in which one division will oversee the ongoing support of open access publishing at the university. This change is necessitated by the university's decision to close the Agora Center, the interdisciplinary research unit that initiated and supported the journal from its inception. Despite the Agora Center's focus on the phenomena in contemporary society where humans were impacted or facilitated by technology, its international networks of like-minded colleagues, and its commitment to quality interdisciplinary research, the research unit has been deemed unnecessary in the new university structure. As the university's rector indicated in his public announcement in April 2016, it is his belief that this research should be part of the mission of every faculty of the university, and thus the university as a whole. The rector also indicated that the international, open access journal Human Technology was valuable not only to the university but to the scientific community. We are pleased that the current editor in chief, Dr. Pertti Hurme, has agreed to extend his editorship until we bring in a new editor in chief next year. Our long-serving managing editor, Barbara Crawford, M.A., also will continue with the journal. Our international editorial board also will remain active in their work in advancing the mission of the journal. We do not anticipate that the daily operations of the journal will be affected, and, we hope, will be improved by the journal's inclusion in the publications area of the Open Science Center. We are currently negotiating with the administration of the Open Science Center to establish an interdisciplinary publisher's board to maintain and enhance the scientific expertise so essential for a growing journal. We are confident that this will be achieved and the journal can continue to reach new audiences as authors and readers and to continue to advance research in this essential field of human-technology.At this time, I would like to publically acknowledge the long-term expertise and guidance of Dr. Päivi Fadjukoff, currently the director of planning and development for the Agora Center, who has wisely and graciously overseen the role of the publisher in these last 13 years of our jour...

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Self-evidence

Cited by 104 publications

References 12 publications

Understanding Kinaesthetic Creativity in Dance

Understanding Kinaesthetic Creativity in Dance

Dancing With Drones

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