2020
DOI: 10.1016/j.alter.2020.02.001
|View full text |Cite
|
Sign up to set email alerts
|

Self-representations on social media

Abstract: Research PaperSelf-representations on social media. Reproducing and challenging discourses on disability ☆ Représentations de soi sur les réseaux sociaux. Reproduire ou défier les discours sur le handicap Coppélie Cocq a, ⁎

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1
1

Citation Types

0
11
0
2

Year Published

2021
2021
2024
2024

Publication Types

Select...
7
1

Relationship

1
7

Authors

Journals

citations
Cited by 27 publications
(13 citation statements)
references
References 35 publications
0
11
0
2
Order By: Relevance
“…This paper develops the concept of disability performance in social media. It takes a well-grounded concept within the field of disability studies, which relates to everyday and theatrical situations offline (Broyer and Hammer, 2019; Cocq and Ljuslinder, 2020; Hadley, 2014), and examines it through the lens of everyday performances of the self (Goffman, 1959). This perspective sheds light on the factors that shape the way disabled individuals carefully manage the everyday performances of their dis/abled self in social media.…”
Section: Discussionmentioning
confidence: 99%
See 1 more Smart Citation
“…This paper develops the concept of disability performance in social media. It takes a well-grounded concept within the field of disability studies, which relates to everyday and theatrical situations offline (Broyer and Hammer, 2019; Cocq and Ljuslinder, 2020; Hadley, 2014), and examines it through the lens of everyday performances of the self (Goffman, 1959). This perspective sheds light on the factors that shape the way disabled individuals carefully manage the everyday performances of their dis/abled self in social media.…”
Section: Discussionmentioning
confidence: 99%
“…Thanks to their increased accessibility, social media provide ample opportunities for disability performances. However, while activist and artistic performances have received scholarly attention (Cocq and Ljuslinder, 2020; Hadley, 2014), everyday disability performances are understudied. According to Hadley (2014), these are performances of “the daily social drama of disability” (p. 2), in which disabled people are “unwillingly compelled to play certain roles” (p. 2) to ratify an exclusionary social order.…”
Section: Disability (In)accessibility and Authentic Self-presentationmentioning
confidence: 99%
“…With the Internet, novel modes of networking (Ineland, Gelfgren, and Cocq 2019), of community building (Molin, Sorbring, and L€ ofgren-Mårtenson 2015), for socializing (L€ ofgren-Mårtensson 2008), self-representations (Cocq and Ljuslinder 2020) or for increased visibility (Pearson and Trevisan 2015) have emerged, providing people with disabilities with new tools for presence, communication and empowerment. In the wake of the process of society's digitization, there is an increasing gap between those who are 'in' and those who are notthose with a high level of digital literacy and those without, those who have infrastructural access and those who lack it, and those for whom the technology is accessible and those who are excluded by the technology.…”
Section: Background and Contextmentioning
confidence: 99%
“…The social web can increase the interpersonal interactions of persons with disabilities, which help them shape identities and communities with likeminded people (Miller, 2017;Sweet et al, 2020) to obtain aids, confront bullying (Sweet et al, 2020) and represent their own stories and self-description (Gale & Bolzan, 2016). The critical function of these stories can be used to overcome stereotypes and hidden segregations (Cocq & Ljuslinder, 2020). Although social media appears to be a valuable space for persons with disabilities, it can be harmful to them through cyberbullying and hate-speak (Kowalski, Toth, & Morgan, 2018).…”
Section: The Impact Of Social Technologies On People With Disabilitiesmentioning
confidence: 99%