This article documents work with pre/in service teachers who are university students across three universities in three regions of the US, across multiple courses. Given our shared concern about the narrowing of space for imaginative literacy practices in schools, we focus on our collective use of open-ended, arts-based pedagogies as a way to challenge how we, as instructors, and our students conceive of literacy practices. A collection of Shaun Tan texts (including picturebooks, wordless graphic novels, and other multimodal/media texts for young people) served as focus texts across our three classroom contexts. We found surprise, a problematizing of narrow literacy definitions, and flexibility were all common ways of responding to this open-ended, arts-based literacy work. It resulted in tensions around and challenges of conventional or ordinary classroom literacy practices and pedagogical choices.I would hope that beyond its immediate subject, any illustrated narrative might encourage its readers take a moment to look beyond the 'ordinariness' of their own circumstances, and consider it from a slightly different perspective.-Shaun Tan (2006, para 20)
IntroductionWe have strong concerns about the state of education, particularly the narrowing of space for imaginative literacy practices. Working outside of an art education context, we noticed a clear lack of creative, arts-based pedagogies in our teacher preparation classes, as content or implemented in practice. As three university educators working with pre-and inservice teachers at different universities in three regions of the US, across multiple education courses, we teach with a commitment for the arts. Our work is inspired by Dewey's (1899/1976) beliefs that education should prepare students to be literate, informed, and actively engaged citizens capable of navigating and influencing society, texts, and discourses. He believed this would be fueled by our dedication to including the arts in schools. Therein, we approach our teaching as action researchers, posing questions and "trying something out" in the service of students learning as artful and engaged citizens (Pine, 2009, p. 239). We found using open-ended, arts-based pedagogies in our pre-service/inservice teacher education classes cultivates powerful learning interactions with texts, ideologies, and each other. While this work is in constant tension with conventional and Common Core mandated practices, we challenged ourselves to embrace the tension and messiness it creates in our own pre-service/inservice teacher education classes. Higher education, in drawing on the arts, has the potential to support challenges and changes to current practices. With these interests in mind, we address the question: How does the use of open-ended, arts-based, literacy practices impact teaching and learning in a range of teachereducation courses?Individually, one of us is rooted in a literacy framework and a second within a literature framework. We both worked to invite arts-based methodologies into our practices. The...