The present study aimed to examine the portrayal of men and women in television advertisements in two different television channels (English and Chinese medium) in Hong Kong. The study involved a content-analysis of how men and women are portrayed on television using the well-used coding scheme. The Chinese channel had significantly more gender stereotypic adverts compared to the English channel (6 out of 10 attributes compared to only 2 out of 10 attributes). Results were compared to previous studies done in Asia as well as in the rest of the world.Key words: gender-role, stereotyping, television, Hong KongSince its inception public television has been accused of powerful social influences in its portrayal of contemporary people in society. Nearly 30 years ago Sternglanz and Serbin (1974) provided evidence of how television programs and commercials typically portray gender-stereotypical images. In addition to being a powerful communication tool, television also portrays how a society operates in a specific cultural context. It serves, critics have argued, as a model of socialisation and control by dramatising its current norms and values (Bryant & Zillman, 1994). McArthur and Resko (1975) carried one of the first pioneering content-analytic studies on gender stereotypes on TV advertisements. Since then, many have followed (e.g. Courtney & Whipple, 1974;Culley & Bennett, 1976;Dominick & Rauch, 1972;Furnham & Farragher, 2000;Furnham, Babitzkow, & Uguccioni, 2000;Furnham, Pallangyo & Gunter, 2001;Furnham & Spencer-Bowdage, 2002;O'Donnell & O'Donnell, 1978;Schneider & Schneider, 1979), often using coding schemes modelled on the original one as used in the McArthur and Resko study. The coding scheme involved coding eight different characteristics of the central character in the televised advertisement.Furnham and Mak (1999) examined and reviewed sex-role stereotyping in television advertisements of fourteen studies across five continents over a period of 25 years. Sexrole stereotyping tended to be surprisingly consistent across different countries. In most countries, males were more likely to be the authoritative figures doing voice-overs, while females were more likely to be users of the products and are presented visually. Further, men were more likely to adopt a professional role in an occupational or leisure setting, whereas females were more likely to have a dependent role often portrayed at home. The I should like to acknowledge the detailed and very helpful criticisms of an anonymous reviewer. Correspondence concerning this article should be sent to Adrian Furnham,