Oxford Music Online 2001
DOI: 10.1093/gmo/9781561592630.article.25436
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“…Concerning the "new" works of eleventh-century Frankish composers, Richard Crocker writes, "[…] their works seem to reveal a strength of individual conception, a sense of purpose equal to the task of giving new impetus to Western music." 40 It has often been observed that this repertory of "new" music was, for the most part, a product of artistic impulses rather than liturgical ones. The apparent disassociation from host chants of monophonic chants with poetic texts supports the suggestions, made by several scholars, that texts and music initially conceived as tropes to existing chants may have been recognized as independent entities, or "spiritual songs."…”
Section: Full Text Of Quem Non Prevalentmentioning
confidence: 99%
“…Concerning the "new" works of eleventh-century Frankish composers, Richard Crocker writes, "[…] their works seem to reveal a strength of individual conception, a sense of purpose equal to the task of giving new impetus to Western music." 40 It has often been observed that this repertory of "new" music was, for the most part, a product of artistic impulses rather than liturgical ones. The apparent disassociation from host chants of monophonic chants with poetic texts supports the suggestions, made by several scholars, that texts and music initially conceived as tropes to existing chants may have been recognized as independent entities, or "spiritual songs."…”
Section: Full Text Of Quem Non Prevalentmentioning
confidence: 99%