Sete pontos para compreender o neomaterialismo

Lemos, André; Bitencourt, Elias Cunha

doi:10.1590/1982-2553202152017

Cited by 17 publications

(20 citation statements)

References 13 publications

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“…By delegating, even partially, to the technological apparatuses and material conditions a sufficient level of agency in the conformation of practices and sociocultural relations, we approach what some theorists have been calling "neomaterialism" or "neoempiricism" (St. Pierre, 2014). The "material turn" (Lemos and Bitencourt, 2021), which emerged in Science and Technology Studies, stimulated the emergence, in the human sciences and philosophy, of different perspectives such as Actor-Network Theory ⎯ANT (Latour, 2005), Object Oriented Ontology⎯ OOO (Harman, 2002), Speculative Realism (Brassier, 2007), studies on the Materialities of Communication (Gumbrecht and Pfeiffer, 1994), etc. Such heterogeneous perspectives have in common the assumption that social life is built by the interaction of human and non-human elements, calling into question the centrality of human subjectivity, modeled within the tradition of correlationism, that is, the idea that everything that is knowable is correlated with the (possible) experience of the subject.…”

Section: Methodsmentioning

confidence: 99%

Introduction to the Sociology of Music Technologies: An Ontological Review

Castanheira¹

2022

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Adorno’s work, in particular the texts dealing with the relationship between music and social behaviors or structures, has been the target of criticism, especially in the second half of the 20th century, being considered by many to be generalist, dogmatic or even elitist. This work proposes the analysis of musical technologies not only as a set of compositional techniques, as Adorno does, but, in fact, as material conditions for the realization of a certain type of sound/music. The colonialist character of these technologies is also analyzed. Based on a review of some key concepts in Adornian theory, a dialogue is sought with more contemporary authors from the sociology of music.

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Section: Methodsmentioning

confidence: 99%

Introduction to the Sociology of Music Technologies: An Ontological Review

Castanheira¹

2022

m.rcs

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“…Segundo Maestri (2001), o conservadorismo das plantas de casas correntes evidencia uma relativa uniformidade do modelo escravista urbano no espaço e no tempo. Caberia então à República, na esteira da abolição da escravatura e da introdução do discurso sanitarista, promover mudanças significativas na distribuição espacial da moradia, muitas vezes, como mostrou Lemos (1999a), por meio de imposições normativas.…”

Section: Periodização E Regionalizaçãounclassified

Characterizing traditional Brazilian house typologies by means of intervisibility analysis

Palazzo,

Carvalho

2024

RevMorfologiaUrbana

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This paper analyzes the morphological differences in traditional urban architecture in Brazil between the typologies of rowhouses and urban or suburban mansions, from the mid-eighteenth to the early twentieth century. It focuses on the relatively uniform and conservative context of the states of Rio de Janeiro, Goiás (including Tocantins), and Minas Gerais. This study highlights defining characteristics of each of the two typological series. While most previous studies have looked at tree graph analysis to assess the topological connections between individual spaces, this research turns to intervisibility analysis, evidencing the morphological centers of compositions. The results highlight how visual integration analysis confirms the overlap between the spatial composition of both rowhouses and mansions and the attributes of social life specific to each of these typologies. These attributes include the location of the family room in the rear of rowhouses and, in contrast, the primacy of ceremonial spaces in the front of mansions.

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“…Segundo Lemos (2003), este momento é denominado pela cibercultura, que se consolidou entre as décadas de 1980 e 1990 com a informática de massa e a popularização da internet, que ganhou força após a criação da world wide web (www), no ano de 1991.…”

Section: Redes Sociaisunclassified

Os impactos da comunicação digital na produção textual

Vieira¹

2023

Braz. J. Develop.

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As novas tecnologias prometem criar um modo mais significativo e íntimo para melhorar a comunicação. A comunicação digital tem como principal objetivo manter as pessoas atualizadas sobre tudo o que acontece na comunidade, país e no mundo. Os mecanismos utilizados para esse fim eram, até certo tempo, limitados a jornais, revistas, rádio e televisão. No presente trabalho, propõe-se indicar os impactos causados pela comunicação digital no âmbito da produção textual. Para responder a esse questionamento, o artigo foi dividido em duas partes: a primeira aborda a comunicação digital e seus conceitos, enquanto a segunda trata sobre as mudanças trazidas por esta forma de comunicação.

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Sete pontos para compreender o neomaterialismo

Cited by 17 publications

References 13 publications

Introduction to the Sociology of Music Technologies: An Ontological Review

Introduction to the Sociology of Music Technologies: An Ontological Review

Characterizing traditional Brazilian house typologies by means of intervisibility analysis

Os impactos da comunicação digital na produção textual

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