“…(Behar, 2013, p. 183) Hickey-Moody (2016) 'mobilizes the manifesto/manifesta/femifesta as a genre of feminist scholarship' (p. 258) which as a feminist modality bridges scholarship with popular culture, sociality, and the personal-as-political. Think Haraway (1991), Riot Grrrls, and the Jigsaw Manifesto (Lusty, 2008(Lusty, , 2015. A femifesta is a resistant call to action which I extend here to autoethnographers, that autoethnography moves beyond humanist roots into a way of 'doing' performative and narrative assemblages of human/more-than-human, truth/more-than-truth, and theory/more-than-theory.…”