Shadow Puppets In The Hands Of The Young Puppeteers: Loss Of Philosophy Value

Abstract

This study aims to actualize philosophical values in shadow puppets performances for the puppeteer and the younger generation. The object of this research is a shadow puppets performance by young puppeteers in Surakarta and its surroundings. Recently, many young puppeteers have appeared arrogantly on stage, for example: standing up and trampling puppet with their feet, throwing puppet off the stage, cursing or saying rude things, exploiting sexual objects for jokes. Whether we realize it or not, one of the causes of this phenomenon is the gap in understanding the philosophical values of puppetry. Data collection methods in this study were the observation of performances and interviews, while to understand the meaning of symbols captured in shadow puppets performances, the method of understanding meaning was used. The notion of "understanding the meaning" in this context is how meaning can be captured from the puppeteers' expressions, either in the form of sabet (puppets movement), catur (puppeteer vocals), and music presented. The result of this research is an attempt to find the factors that influence the tendency of the young puppeteers to express freely. Finding the factors that influence the more youthful generation tends to like glamorous entertainment alone—actualizing philosophical values in shadow puppets according to the contemporary point of view. The ability of the puppeteers to present messages through shadow puppets performances should have direct implications for his personality, in addition to being a means of mass communication that can reach all levels of society (audience) in general.

Modification of Da’wah Through the Art Performance of Ki Dalang Ulin Nuha

“…Therefore, the da'wah method used by Ki Dalang Ulin Nuha is Ilmu Dakwah: Academic Journal for Homiletic Studies 17(2) (2023) 243-264 highly effective in the present era. Wayang Kulit performances are multidimensional, with the puppeteer being the central figure in the shadow puppet show (Suyanto & Setiawan, 2022). Naturally, Ki Dalang Ulin Nuha can play various roles, including being an artist, social worker, educator, communicator, or entertainer.…”

“…This approach is known as social Da'wah, where firm messages are conveyed through cultural variations and local customs. The art performance of da'wah by Ki Dalang Ulin Nuha is an excellent example of cultural da'wah (Suyanto & Setiawan, 2022). Wayang Kulit, or traditional Javanese Wayang, is used as a medium in the concept of art performance of da'wah .…”