“…In the 1964 Shakespeare commemorative performance at the Vatican The Merchant of Venice"s trial scene was performed in its entirety and Portia"s speech on mercy −a preamble to set up Shylock"s punishment− was, therefore, wholly contextualised. The 1964 RSC performance of the trial scene −which Boitani describes as leading to a dead end of contradictions ("un vicolo cieco di contraddizioni" (2018a))−, emphasised, not just Portia"s words on mercy, but the play"s questioning of Christian mercy, and was mostly welcomed by a Council that vigorously debated the conversion of the Jews, Christian mercy and the Church"s responsibility in Nazi persecutions (Cerezo, 2015). However, in 2016, Catholic readings of Portia"s lines on mercy did not reveal their contradictory nature and, by taking them out of context, read them just as a reflection on God"s compassionate blessings and the bidirectional and reconciliatory nature of mercy.…”