Shaping Concrete for Interaction

Hirsch, Linda; Rossmy, Beat; Butz, Andreas

doi:10.1145/3430524.3440625

Cited by 10 publications

(3 citation statements)

References 72 publications

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“…For digital materials composed by a designer, this suggests an opportunity to release control of the material, allowing probabilistic and environmental elements to influence the outcome of a design. As has been encountered in material practices with leather [28,43], concrete [16], and data modeling [38], these patinations serve as mechanisms for materials to communicate affordances and impart value through the uniqueness of the expressed form.…”

Section: Charting Materials Knowledgementioning

confidence: 99%

Glaze Epochs: Understanding Lifelong Material Relationships within Ceramics Studios

Moradi

Nguyen

et al. 2022

Sixteenth International Conference on Tangible, Embedded, and Embodied Interaction

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Section: Charting Materials Knowledgementioning

confidence: 99%

Glaze Epochs: Understanding Lifelong Material Relationships within Ceramics Studios

Moradi

Nguyen

et al. 2022

Sixteenth International Conference on Tangible, Embedded, and Embodied Interaction

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“…Moreover, understanding the relationship between the physical and digital is a fundamental concern for materials within the context of computing and interaction design [19,44,62,73,77]. The materials that a tangible interface is constructed from containing massive amounts of information [5,20,21,30,33,64]. Fuchsberger et al state "materiality as the theoretical discourse about materials", which includes all "illustrations and discussions of materials in HCI" [20].…”

Section: Background 21 Materiality In Hcimentioning

confidence: 99%

Material Matters: Exploring Materiality in Digital Musical Instruments Design

Zheng

Bryan-Kinns

McPherson

2022

Designing Interactive Systems Conference

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Research on the design of Digital Musical Instruments (DMIs) has highlighted the importance of musical gestures and embodied interaction in DMI design. However, this research often focuses on technical and sonic factors of design, with less attention on how materials infuence the design process and DMI design idea generation. Thus, this paper explores materiality in DMIs design through a material probe approach with deformable materials. This paper reports on a study with ffteen DMI designers investigating the evoked meaning of material properties in a musical context beyond their digital interactivity. Results suggest that material properties inspired participants' design thinking, and there was a strong connection between tactility and imagined sound production. We also reported the patterns of gestural interaction of deformable materials in DMIs. We refect on these results to report lessons learned that could inform interactive systems' material design within and beyond the musical domain. CCS CONCEPTS• Human-centered computing → Interaction design theory, concepts and paradigms; Activity centered design; • Applied computing → Sound and music computing.

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“…PD with supershapes has been studied before in curve/surface fitting [49], computer vision [23], Constructive Solid Geometry [20,22], shape recovery [21], and even procedural modeling in Virtual Reality (VR) [37]. In fact, several real-world applications rely on PD with supershapes such as designing or modeling urban buildings [37], tangible user interfaces [33], wind turbines [44], antennas [8], seed morphology [48], nanotechnology [6], mechanical design [12,13], robotic haptic recognition [24] among many other examples.…”

mentioning

confidence: 99%