Sharing songs on Hirakata Square: On playlists and place attachment in contemporary music listening

Abstract

This article focuses on the relation between music and place. More particularly, it theorizes and investigates how music leads people to imagine places, sometimes resulting in a 'musical topophilia': the love for a place based on its association with a particular genre, musician or musical activity. This concept is explored through 17 semi-structured, in-depth interviews with Dutch users of music streaming services. The analysis shows how these music listeners connect their love for music to places in four ways: through (1) sound, (2) texts and images, (3) musicians, and (4) places of music production, distribution or consumption. Based on these four mediations, music listening shapes affective geographies.

#Detroit Music City: Analyzing Detroit’s Musical Urban Imaginary Through a Cultural Justice Lens

“…This project focuses specifically on the analysis of music murals in Detroit, USA, since music takes on specific salience in the context of gentrification. Music is an especially potent catalyst of local place identity (Connell & Gibson, 2003) and place attachment (Bolderman, 2020; Bolderman & Reijnders, 2021), and can play a key role in the negotiation of social inequalities, specifically in an urban context (Ballico & Watson, 2020; Cantillon et al, 2020). While music and murals are a rich fit for studying the symbolic potential of public space in the media city, in the urban imaginary of Detroit, music plays a central role.…”