2013
DOI: 10.1179/0952414213z.00000000029
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Shelley’s Republic of Odours: Aesthetic and Political Dimensions of Scent in ‘The Sensitive-Plant’

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Cited by 3 publications
(2 citation statements)
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“…Emily Friedman's monograph on smell in the 18th-century novel (2016) offers chapters on tobacco, the smelling bottle, the smell of other bodies, the new smell of sulphur (earthquakes, hot springs and industry), with a conclusion (along the lines of Corbin) arguing that scentless-ness, epitomized by Richardson's Clarissa, increasingly became valorized. Work on smell and Romantic poetry includes essays on Percy Shelley and William Wordsworth (Boyson, 2011(Boyson, , 2013. Before becoming prominent as an Object-Oriented-Ontology thinker, Timothy Morton attended to the atmospheric environment in his second monograph, The Poetics of Spice (2000), with a fascinating chapter on Keats's scented, sonorous atmospheres: 'The poetics of spice, then is an ambient poetics, not a rhetoric of disguise but an atmospherics ' (2000, p. 223).…”
Section: Atmosphere Phenomenology and The Sensesmentioning
confidence: 99%
“…Emily Friedman's monograph on smell in the 18th-century novel (2016) offers chapters on tobacco, the smelling bottle, the smell of other bodies, the new smell of sulphur (earthquakes, hot springs and industry), with a conclusion (along the lines of Corbin) arguing that scentless-ness, epitomized by Richardson's Clarissa, increasingly became valorized. Work on smell and Romantic poetry includes essays on Percy Shelley and William Wordsworth (Boyson, 2011(Boyson, , 2013. Before becoming prominent as an Object-Oriented-Ontology thinker, Timothy Morton attended to the atmospheric environment in his second monograph, The Poetics of Spice (2000), with a fascinating chapter on Keats's scented, sonorous atmospheres: 'The poetics of spice, then is an ambient poetics, not a rhetoric of disguise but an atmospherics ' (2000, p. 223).…”
Section: Atmosphere Phenomenology and The Sensesmentioning
confidence: 99%
“…72 This fits well with eighteenth-century medical and philosophical understandings of odour as the product of process and change in bodies. 73 The Macaroni was an 'evaporating subject'. His perfumes did the work of shattering 'subject-object oppositions'…”
mentioning
confidence: 99%