2019
DOI: 10.1080/13527258.2019.1666295
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Shifting the paradigm on cultural property and heritage in international law and armed conflict: time to talk about reparations?

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Cited by 22 publications
(9 citation statements)
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“…115 The rehabilitation of heritage is a far more agonistic process than is suggested by flawed metaphors for healing like the Mostar bridge. 116 Even without overt hostility, selective reconstruction inevitably creates 'hierarchies of victimhood' that undermine any re-emerging tranquillity 117 or reinscribe old power relations with slight variations. It will often be the case that some groups will disagree with the reconstruction of certain aspects of tangible heritage, seeing it as triumphalist, chauvinistic or a provocation.…”
Section: Reconstructionmentioning
confidence: 99%
See 1 more Smart Citation
“…115 The rehabilitation of heritage is a far more agonistic process than is suggested by flawed metaphors for healing like the Mostar bridge. 116 Even without overt hostility, selective reconstruction inevitably creates 'hierarchies of victimhood' that undermine any re-emerging tranquillity 117 or reinscribe old power relations with slight variations. It will often be the case that some groups will disagree with the reconstruction of certain aspects of tangible heritage, seeing it as triumphalist, chauvinistic or a provocation.…”
Section: Reconstructionmentioning
confidence: 99%
“…9 Even scholars who acknowledge its importance eschew detailed treatment on the reasonable grounds that 'its meaning has not been fully developed under international law.' 10 Beyond a compelling recent study of the role of reparations (albeit one exploring both tangible and intangible cultural heritage), 11 international criminal law represents the main area where physical wreckage of important sites has been addressed. The ICTY's treatment of cultural destruction in the Strugar, Prlic ́et al and Jokic ́cases has attracted considerable academic attention.…”
Section: Introductionmentioning
confidence: 99%
“…105 Moreover, at some point more or less distant in the future, memorialization sites can become the subject of contestation and conflict. 106 Thus, memorialization measures are as powerful as they are delicate, and any decision concerning their appropriateness had to be treated with extreme care. Here, consulting the matter with experts became essential.…”
Section: Third Challenge: To Memorialize or Not Memorializementioning
confidence: 99%
“…La conceptualización de la construcción de paz (peacebuilding) y sus enlaces con el patrimonio cultural, y en consecuencia, un enfoque dirigido a los procesos de reparación de las víctimas (Hammami et al, 2022;Hickey y Killean, 2021;Moffett et al, 2020;Uribe et al, 2022Uribe et al, , 2023Viejo-Rose, 2015Viejo-Rose y Killean, 2020;Walters et al, 2017), parte del reconocimiento que las prácticas de construcción de la paz están muy relacionadas, ya que los objetos, lugares y las manifestaciones patrimoniales (materiales e inmateriales), son el objetivo militar de los conflictos en todo el mundo. Y como constante, las expresiones culturales de los pueblos vulnerables son las que directamente se lastiman por los agresores para transgredir las diferencias y resignificarlas a través de los crímenes de odio.…”
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“…Y como constante, las expresiones culturales de los pueblos vulnerables son las que directamente se lastiman por los agresores para transgredir las diferencias y resignificarlas a través de los crímenes de odio. De acuerdo con Viejo-Rose y Killean (2020), se reitera que los ataques contra el patrimonio cultural han sido el arma habitual de la violencia extrema contra las comunidades identificadas con religiones, etnias, naciones y razas, como medio explícito de aniquilarlo, incluso con el genocidio (Moffett et al, 2020). Mientras que la dimensión física de la destrucción es evidente durante los conflictos y puede restaurarse hasta cierto punto, la intención más profunda que busca subyugar, dominar y borrar las identidades de los grupos ha recibido menos atención, como mencionamos anteriormente.…”
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