Shklovskii, Viktor Borisovich

Kolesnikoff, Nina

doi:10.3138/9781442674417-170

Cited by 2 publications

(1 citation statement)

References 0 publications

Supporting

Mentioning

Contrasting

Order By: Relevance

“…While both metaphor and sjuzet/fabula can be treated only as literary devices, our following of Jakobson’s (1956/1988) conceptualization of metaphor as an axis of language extends the concept of metaphor to enable us to avoid reifying sjuzet/fabula as a technical device for the analysis of literature. The Russian formalists, a group of literary theorists working in Russia from the 1910s through the 1920s, focused on the technical aspects of literature—“art for art’s sake” (Kolesnikoff, 1993). For them, fabula referred to the plot of the story being told while the style, “the formal devices that enliven the narrative” (McCracken, 1998, p. 54), was referenced by sjuzet.…”

Section: Sjuzet and Fabula: An Analytic Device For Critically Refleximentioning

confidence: 99%

Feeling stories: A Bakhtinian reading of metaphor in the practice of reflexive narrative analysis

Soennichsen

Morgan

2017

Theory & Psychology

View full text Add to dashboard Cite

This paper aims to contribute to the critical psychological literature on a narrative psychological approach to emotion, particularly with regard to the ways in which critically reflective and metaphorically rich writing enhances our theoretical conceptualization of culturally constituted emotional experiences. We engage the concepts of sjuzet and fabula, initially introduced to the study of literature by the Russian formalists, and later extended by Mikhail Bakhtin, to consider how political dimensions of literary practices in cultural context strengthen reflexive narrative analysis. To illustrate our arguments, we provide analysis of passages from an article by Theodore Sarbin, working with an interpretation of sjuzet and fabula from a Bakhtinian theoretical perspective.

show abstract

Section: Sjuzet and Fabula: An Analytic Device For Critically Refleximentioning

confidence: 99%

Feeling stories: A Bakhtinian reading of metaphor in the practice of reflexive narrative analysis

Soennichsen

Morgan

2017

Theory & Psychology

View full text Add to dashboard Cite

show abstract

Les mots pour se / le dire : trois temps forts dans l’Acadie au féminin : Antonine Maillet, Dyane Léger, France Daigle

Boehringer

2015

View full text Add to dashboard Cite

Trois moments forts de la littérature acadienne au féminin sont à l’étude dans cet article : Évangéline Deusse (1975) d’Antonine Maillet, écrit contre le mythe d’Évangéline de Longfellow, exhibe toute la verve pour laquelle son auteure est connue. Graines de fées (1980), premier recueil poétique de Dyane Léger, signale que la modernité de l’écriture des femmes est arrivée en Acadie : ses jeux de mots jusqu’alors inouïs sont sous-tendus par un vaste réseau intertextuel. Et le roman postmoderne Pour sûr (2011), de France Daigle, excelle dans sa réflexion soutenue sur les langues. Non seulement l’auteure continue-t-elle sa méditation sur la place du chiac au Nouveau-Brunswick, mais elle fait coexister le vernaculaire avec d’autres variantes du français et d’autres langues minoritaires, si bien que les préoccupations langagières de ses personnages prennent une ampleur qui risque même d’ébranler le statut de l’anglais : la défamiliarisation de cette langue quasi omnipotente est seulement un des effets de la virtuosité ludique du dernier roman de Daigle.Three important moments of Acadian literature written by women are considered in this article: Évangéline Deusse (1975) by Antonine Maillet, written against Longfellow’s myth of Évangéline, exhibits all the flair for which its author is known. Graines de fées (1980), Dyane Léger’s first collection of poems, highlights that the modernity of women’s writing has arrived in Acadia: her innovative play on words are underpinned by a large intertextual network. And France Daigle’s postmodern novel Pour sûr (2011) excels in its extensive reflection about languages. Not only does the author continue her meditations on the significance of chiac in New Brunswick, but contrasts the vernacular with different variations of French and other minority languages; the linguistic concerns of her characters may go as far as weakening the status of the English language: the defamiliarization of this all-important language is only one of the effects of the playful virtuosity in this last novel by Daigle

show abstract

Shklovskii, Viktor Borisovich

Cited by 2 publications

References 0 publications

Feeling stories: A Bakhtinian reading of metaphor in the practice of reflexive narrative analysis

Feeling stories: A Bakhtinian reading of metaphor in the practice of reflexive narrative analysis

Les mots pour se / le dire : trois temps forts dans l’Acadie au féminin : Antonine Maillet, Dyane Léger, France Daigle

Contact Info

Product

Resources

About