Siloseam

Moradi, Hedieh; Torres, César

doi:10.1145/3357236.3395473

Cited by 12 publications

(1 citation statement)

References 19 publications

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“…Interaction possibilities with inflatables include punching [27], theatrical data display [40], squeezing a mouse [25], exploring affective qualities of simple movements [37], petting inflatable rabbits [14], bodily compression [15], simulating objects in VR [38], force feedback on the arms in VR [19], or a shoulder "tap" to indicate left or right when giving directions [36]. Fabrication techniques include embroidery with silicone bladders [34], silicone bladders [28], stitching on stretchy fabric to control shape change [39], replay direct manipulation [30], firm 3D printed inflatables [20], rapid prototyping [18], and other shape-changing interfaces [24]. These works are often airtight and at relatively smaller scale.…”

Section: Inflatables In Hcimentioning

confidence: 99%

Feeling Air: Exploring Aesthetic and Material Qualities of Architectural Inflatables

Howell

Protz

Byrd

et al. 2022

Adjunct Proceedings of the 2022 Nordic Human-Computer Interaction Conference

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This work explores aesthetic, material, and experiential qualities of inflatable architecture. We created large-scale inflatable structuresfrom several stories high, to 15m long, to filling a plaza with an inflatables assemblage-in public space. Working from a first-person approach, we offer somaesthetic, material, and practical reflections and design considerations for architectural inflatables. Our findings detail how such large scale inflatables can alter sensory perception in compelling ways. Our discussion suggests future directions for sensory engagements with architectural inflatables. CCS CONCEPTS• Human-centered computing → Interaction design.

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