Singing Keroncong and the Values Behind it

Milyartini, Rita

doi:10.2991/icade-18.2019.31

Cited by 4 publications

(8 citation statements)

References 1 publication

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“…Menurut (Milyartini 2019) bernyanyi keroncong ternyata dapat menjadi salah satu cara untuk mengendalikan emosi yang berdampak pada kepribadian seperti sopan santun, dan kehati-hatian. Kolaborasi antara penyanyi dan musisi juga memberikan pengembangan empati sebagai landasan untuk mengembangkan kemampuan bekerjasama.…”

Section: Awalnya Musik Sejenis Keroncong Yang Disebut Denganunclassified

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Implementasi Teknik Vokal Luk, Gregel dan Crooning dalam Repertoar Tristeza

Anindhita,

Siswanto,

Setiarini

et al. 2023

PROMUSIKA

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Penulisan ini membahas tentang bagaimana implementasi teknik vokal luk, gregel, dan crooning pada repertoar Tristeza dengan iringan combo keroncong. Teknik vokal luk, dan gregel merupakan teknik vokal yang digunakan dalam menyanyikan repertoar keroncong. Luk dapat diartikan sebagai bagian dari cengkok yang memperindah pembawaan lagu. Kemudian gregel merupakan hiasan dari nada yang bergerak dengan cepat. Pada penulisanya gregel dapat ditulis dengan tanda inverted mordent. Teknik vokal crooning merupakan teknik bernyanyi ringan seperti berbicara. Tristeza merupakan repertoar musik latin. Musik keroncong dan musik latin merupakan musik yang berasal dari akar yang sama. Musik latin memiliki ciri pada permainan ritmik yang kerap dipegang oleh instrumen perkusi, 2 sedangkan ciri khas musik keroncong terletak pada instrumen cak, dan cuk. Penelitian ini merupakan penelitian kualitatif dengan penerapan metode studi dokumen, wawancara dan diskografi. Hasil yang diperoleh berupa sajian musik dengan repertoar Tristeza yang telah diaransemen dibawakan dengan iringan combo keroncong, dan implementasi teknik vokal luk, gregel, dan crooning. Dengan demikian menghasilkan nuansa musik yang baru.AbstractImplementation of Luk, Gregel, and Crooning Vocal Techniques in the Tristeza Repertoire. This writing discusses how the implementation of luk, gregel, and crooning vocal techniques in the Tristeza repertoire with keroncong combo accompaniment. Luk, and gregel vocal techniques are vocal techniques used in singing keroncong repertoire. Luk can be interpreted as part of the cengkok that beautifies the rendition of the song. Then gregel is a decoration of a tone that moves quickly. In writing gregel can be written with an inverted mordent sign. Crooning vocal technique is a light singing technique like talking. Tristeza is a Latin music repertoire. Keroncong music and Latin music come from the same roots. Latin music is distinguished by its intricate rhythmic patterns, often driven by percussion instruments, whereas keroncong music is defined by the distinctive sounds produced by the cak and cuk instruments. This research is a qualitative research with the application of document study, interview and discography methods. The results obtained are in the form of a musical presentation with the Tristeza repertoire that has been arranged performed with keroncong combo accompaniment, and the implementation of luk, gregel, and crooning vocal techniques. Thus producing new musical nuances.Keywords: Luk; Gregel; Crooning; Latin; Keroncong

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Section: Awalnya Musik Sejenis Keroncong Yang Disebut Denganunclassified

“…Ada berbagai macam teknik yang dapat digunakan dalam menyanyikan lagu keroncong, diantaranya luk, gregel, mbat, cengkok, dan nggandul. Biasanya penyanyi memasang hiasan seperti luk, gregel, dan cengkok ketika menyanyikan gaya keroncong Solo (Milyartini 2019).…”

Section: Awalnya Musik Sejenis Keroncong Yang Disebut Denganunclassified

Implementasi Teknik Vokal Luk, Gregel dan Crooning dalam Repertoar Tristeza

Anindhita,

Siswanto,

Setiarini

et al. 2023

PROMUSIKA

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“…The ornamentation is twisted, gregel, luk, and embat taken from the term traditional Javanese music. Besides the addition of ornaments used by singers is a form of expressive delivery of messages [10]. Thus, each singer's disposition of the song will differ according to their experience and style in conveying the song's message.…”

Section: B Conversion Tuti and Sundari Versionmentioning

confidence: 99%

Comparison Study of Keroncong Singing Style of Tuti Maryati and Sundari Soekoco

Yasrika¹,

Milyartini²

2020

Proceedings of the 2nd International Conference on Arts and Design Education (ICADE 2019)

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One reason why people difficult to learn keroncong singing styles is limited reference about how to sing keroncong. This article aims to describe the difference of keroncong singing styles between two famous keroncong singers, Tuti Maryati and Sundari Soekoco. It can be used as a reference for beginner keroncong singers. The method used was document analysis and literature review that serves to describe the singing style. The results of this study show that each singer has their characteristics in singing keroncong songs. The amount of ornaments used by Tuti is fewer than Sundari's. But Tuti was more creative because she used different ornament while the same word was repeated. Otherwise Sundari tend to repeat the same ornament for the same word. Therefore, beginner keroncong singers are recommended to study Tuti Maryati's singing style before learning Sundari Soekoco's singing style.

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“…Its content consists of two parts: deliverance and message. The deliverance usually has no logical connection with the message [15]. The rhyme in words aimed to ease the audience to understand the message.…”

Section: Introductionmentioning

confidence: 99%

Poetry Generation for Indonesian Pantun Using SeqGAN and GPT-2

Siallagan¹,

Alfina²

2023

Jurnal Ilmu Komputer dan Informasi

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Pantun is a traditional Malay poem consisting of four lines: two lines of deliverance and two lines of messages. Each ending-line word in pantun forms an ABAB rhyme pattern. In this work, we automatically generated Indonesian pantun by applying two existing generative models: Sequential GAN (SeqGAN) and Generative Pre-trained Transformer 2 (GPT-2). We also created a 13K Indonesian pantun dataset by collecting pantun from various sources. We evaluated how well each model produced pantun by its formedness. Measured by two aspects: structure and rhyme. GPT-2 performs better with a margin of 27.57% than SeqGAN in forming the structure and 22.79% better in making rhyming patterns.

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Singing Keroncong and the Values Behind it

Cited by 4 publications

References 1 publication

Implementasi Teknik Vokal Luk, Gregel dan Crooning dalam Repertoar Tristeza

Implementasi Teknik Vokal Luk, Gregel dan Crooning dalam Repertoar Tristeza

Comparison Study of Keroncong Singing Style of Tuti Maryati and Sundari Soekoco

Poetry Generation for Indonesian Pantun Using SeqGAN and GPT-2

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