“…However, such critics, who have increasingly turned their attention to the material spaces of memory (Blair & Michael, 1999;Blair, Jeppeson, & Pucci, 1991;Dickinson, 1997;Gallagher, 1999Gallagher, , 1995Hasian, 2004;Katriel, 1994), are well positioned to understand the suasory force of history museums. Rhetorical critics bring an understanding of the interaction between texts and audiences to these sites.…”