Nietzsche on the Decadence and Flourishing of Culture"In 1872 Nietzsche shocked the European philological community with the publication of e Birth of Tragedy. In this fervid rst book Nietzsche looked to ancient Greek culture in the hope of nding the path to a revitalization of modern German culture. Cultural health was at this point unquestionably his paramount concern. Yet postwar Nietzsche scholarship has typically held that a er his Untimely Meditations which followed soon a er, Nietzsche's philosophy took a sharply individualist turn-an interpretation largely due to Walter Kaufmann's noble and in uential e ort to counter the Nazi appropriation of Nietzsche by stressing Nietzsche's anti-political individualism and downplaying his seemingly more noxious Kulturphilosophie. But even a er Nietzsche gave up on the idea of German culture as something blessed with inner truth and greatness and pregnant with the potential for renewed splendor-heaping scorn instead on the Germans and their newlyfounded Reich-he still, I argue, continued to take culture, as a collective social achievement, to be something of prime importance. Indeed, it is for this reason that he took the ourishing of great individuals-especially artists and intellectuals-to be vital. eir singularity and their excellence redeems the decadent cultural landscape from the bovine blight of the "last man" and the self-satis ed, uncreative, and barren mediocrity he represents. My dissertation uses Nietzsche's perfectionistic ideal of a ourishing culture as a point of departure for investigating many of the central themes in his work: his criticism of the ideals enshrined in conventional morality; his attack on Christianity; his celebration of individual human excellence and cultural accomplishment; his lamentations about cultural decline; his troubling remarks about the need for slavery ("in some sense or other") if a society is to ourish; and his grand ambitions for a "revaluation of all values." i