2017
DOI: 10.1016/j.appet.2016.10.026
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“Smooth operator”: Music modulates the perceived creaminess, sweetness, and bitterness of chocolate

Abstract: There has been a recent growth of interest in determining whether sound (specifically music and soundscapes) can enhance not only the basic taste attributes associated with food and beverage items (such as sweetness, bitterness, sourness, etc.), but also other important components of the tasting experience, such as, for instance, crunchiness, creaminess, and/or carbonation. In the present study, participants evaluated the perceived creaminess of chocolate. Two contrasting soundtracks were produced with such te… Show more

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Cited by 75 publications
(41 citation statements)
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“…Last, environment features appear important to such an effect: haptic softness perceptions were only modulated by soft music when consumers were standing on a hard (vs. soft, carpeted) flooring. Interestingly, similar effects of 'soft' music have been seen in gustation: chocolate is perceived as creamier and sweeter when paired with 'soft' (vs. 'hard') music (Reinoso Carvalho et al, 2017).…”
Section: Walkingmentioning
confidence: 73%
“…Last, environment features appear important to such an effect: haptic softness perceptions were only modulated by soft music when consumers were standing on a hard (vs. soft, carpeted) flooring. Interestingly, similar effects of 'soft' music have been seen in gustation: chocolate is perceived as creamier and sweeter when paired with 'soft' (vs. 'hard') music (Reinoso Carvalho et al, 2017).…”
Section: Walkingmentioning
confidence: 73%
“…Another possibility could trace back to the specific mouth feel associated with butter milk, for instance its creamy consistency. There is evidence that creaminess correlates with sweetness [11,12], which may have influenced participants' sweetness perception. At this point, however, both explanations are speculative only.…”
Section: Discussionmentioning
confidence: 99%
“…Therefore, it cannot be excluded that shapes elicit specific tastes only when consumers are actively engaging in taste searching on the basis of information provided, for example, when consciously examining new products [1], or when specifically instructed to do so in a laboratory setting. Moreover, effects for beverages are bound to rely on product-extrinsic cues like cups or packaging elements (e.g., see [21] for an overview of the different ways beverage containers may influence perception, for instance by changing how the liquid flows through the mouth), whereas for other food categories, like chocolates [11,12], the shape of the product itself can be manipulated.…”
Section: Discussionmentioning
confidence: 99%
“…Similar sonic seasoning effects using independent taste scales (i.e., separate scales for sweet, bitter, sour, etc.) using nonfood‐sound‐related soundtracks have since been found in food and beverage stimuli ranging from beer, chocolate, salsa, and wine (Reinoso‐Carvalho, Wang, Van Ee, Persoone, & Spence, ; Reinoso‐Carvalho, Wang, Van Ee, & Spence, ; Wang, Keller, & Spence, ; Wang & Spence, ).…”
Section: Introductionmentioning
confidence: 99%