Sobranie sochinenii

Abstract

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Conceptosphere of the basic concept “winter” in Yu. Shestalov’s lyrical poetry

“…Основным, как следует из заглавия, для нас стал метод концептуального анализа в рамках лингвокультурологического подхода. Для формирования концептосферы с ядром «зима» были проанализированы лирические произведения Ю. Шесталова из полного собрания сочинений 1997 г. издания (тома 1 и 2) [4], [5].…”

Искусство Как Важная Составляющая Духовного Воспитания Личности

“…О влиянии художественного произведения на читателя А.М. Горький говорил, что книга сильно действует на читателя только в том случае, если писатель вызывает в нем активную работу мысли, памяти и воображения, дает ему возможность дополнить, добавить картины, образы, фигуры, характеры из своего личного запаса впечатлений и знаний, то есть если происходит слияние, совпадение опыта литературы и читателя [2].…”

Jacob's Ladder

“…As Burmistrov properly stated, this distinction cannot be found anywhere in the earlier Christian esoteric literature that concerned the subject of 'two Adams.' 87 The First Adam in Russian Masonic literature has the features of Adam prior to the fall and is regarded as the universal primordial being in whose image man and the world were created, and whose soul contained all of humanity. The Second Adam is the material man, i.e., humanity in its current state.…”

“…Russian Freemasons were familiar with Agrippa's writings. 87 Pogorelsky's fictional "magician" (magik) Agrippa possesses a magical mirror that enables him to communicate with the deceased. One day he is visited by a mysterious stranger who wishes to see his daughter, Miriam, "who died long, long ago."…”

“…As Alexander Blok once said upon learning about the tragedy of the Titanic, "There is still Ocean." 87 However, in the political context of the right-wing ideology of the years following 1905, Rozanov's articles were not acknowledged as literary or theological experiments in kabbalistic occult theology, but as clear and harsh anti-Semitic propaganda. As Murav noted, Symbolist and decadent writers were themselves conscious of, and some troubled by, the possible connection between their own and Rozanov's work, and hence their connection to the ritual murder charge.…”