Sobre projecionistas, imagens e educação: movimentos cartográficos do pensamento em um jogo de dados educacional

Gonçalves, Ingrid Rodrigues

doi:10.34112/1980-9026a2018n34p86-99

Cited by 2 publications

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“…Nowadays, asking young people if at some point in their lives they ever had used photochemical films, the answer will probably be a sonorous "no", and, perhaps, it will come with the question: what are photochemical films? This question would probably be made because the standard photographic and cinema formats had changed from film (touchable surfaces) to digital (computing surfaces) (Fossati, 2009;Gonçalves, 2018a).…”

Section: Résumémentioning

confidence: 99%

“…Second, there are some audiovisual professionals who are simply being replaced by softwares and hardwares. An example is the case of projectionists, professionals specialized in cinema screening technologies (in particular the analogue technology of exhibition), that now are staying out of the main cinema working agenda (Gonçalves, 2018b). Again, this problem goes beyond cinematographic matters, because it is a fact that consequences related to the digitalization of jobs have been largely discussed and are affecting many other workers worldwide.…”

Section: Résumémentioning

confidence: 99%

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The Pixel Fever

Gonçalves¹,

Cazetta

2020

Rev. Gest. & Políticas Públicas

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In the cinematographic industry, the standard media formats changed from film to digital formats, but these changes are not located only in art territories. Nowadays, digitalization processes are increasingly part of our daily practices. We constantly need to deal with a large range of commonplace situations that demands us to be connected with softwares applications, implying that we produce and share a considerable amount of sounds and images. For some of us, especially the younger ones, born in the 2000s, used to dealing with gadgets since the early age, mechanical and analog processes may seem to be part of a very different world. The purpose of this essay is to discuss what we are calling “the pixel fever”, this contemporary movement of our lives that merges our organic life with our digital trajectories, considering that to produce and discard digital data is already part of the routine of many of us. This essay is divided into three parts. Firstly, we aim to highlight some aspects of this entrance of digital gadgets in our lives. To do this, we start talking about the digitalization processes in the film industry focusing on the Brazilian public policy Cinema Near You, that supported this transition in movie theaters. Secondly, we move on to highlight some broader problems of this “pixel fever”: the aesthetical risk, the digitalization of jobs, and the energy consumption derived from the handling of digital materials. Finally, we conclude thinking about some parallels between these problems emphasized and our contemporary lives. With these interdisciplinary ponderations, starting by some examples from audiovisual practices, we aim to contribute to the discussions about the contemporary social changes related to digitalization processes spread in several research areas.

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Section: Résumémentioning

confidence: 99%

Section: Résumémentioning

confidence: 99%

The Pixel Fever

Gonçalves¹,

Cazetta

2020

Rev. Gest. & Políticas Públicas

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“…Naquele período, discutimos acerca de políticas públicas de fomento à digitalização das salas de cinema no Brasil, para pensar como a transição do suporte padrão cinematográfico (das películas para os formatos digitais), afetou os modos de fazer e pensar o cinema desde aspectos operacionais dos sets de filmagens, até variáveis das etapas de pós-produção, exibição e preservação. Trabalhamos tais questões com mais vagar em GONÇALVES (2012GONÇALVES ( , 2013GONÇALVES ( , 2014GONÇALVES ( , 2015GONÇALVES ( , 2016aGONÇALVES ( , 2016bGONÇALVES ( , 2018aGONÇALVES ( , 2018b; CENA 3 (2016); BALÉ (2014).…”

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Arquivo-vida na contemporaneidade: composições de modos de viver nas fronteiras entre audiovisual, arquivos pessoais e educação

Gonçalves¹

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Sobre projecionistas, imagens e educação: movimentos cartográficos do pensamento em um jogo de dados educacional

Abstract: Sobre projecionistas, imagens e educação: movimentos cartográficos do pensamento em um jogo de dados educacional

Cited by 2 publications

References 1 publication

The Pixel Fever

The Pixel Fever

Arquivo-vida na contemporaneidade: composições de modos de viver nas fronteiras entre audiovisual, arquivos pessoais e educação

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